Description
Book SynopsisJacopo Tomatis is a musicologist, music journalist, and musician. He is a Research Fellow at the University of Torino, Italy, where he teaches Popular Music and Ethnomusicology. His first book Storia culturale della canzone italiana (2019) won the IASPM book prize in 2021.
Table of ContentsList of abbreviations of the archive funds Acknowledgements Prologue (in the form of a picture) INTRODUCTION 1. A song, a show, a record 2. Popular music and politics in the “boom” years 3. Communism, ethnomusicology and folk revival PART 1. The myth of
Bella Ciao 4. Meet the Nuovo Canzoniere Italiano 5. One week in Spoleto 6. Constructing the myth: the countess, the colonel, the rice picker 7.
Bella Ciao in the theater: protest and distinction 8. After Spoleto 9.
Bella Ciao on disc: antagonism and the market PART 2. The performance of “real” folk 10. Organizing folk: the structure 11. Curating folk: the repertoire 12. “Bella Ciao” of the partisans 13. “Bella Ciao” of the rice pickers 14. Performing philology: Giovanna Marini’s “fakes” 15. Staging folk: direction, sets and costumes 16. Strumming folk: the arrangements 17. Singing and learning to sing folk: the voices 18. Sounding folk: the studio recording CODA: Us and them
Notes Index
