Description

Book Synopsis
This text looks at Euripides' "Hippolytus" and offers an examination of the ancient preference for the implicit style, and suugests a possible reading of Euripides' first treatment of the myth which would account for The Athenian audience's reservations about his "Hippoytus Veiled".

Trade Review
Roisman discusses an impressive amount of secondary literature in a clearly structured way and concludes the book with two small, but useful indices. Hew style is precise, to the point, and pleasant to read. This monograph provides a convincing and thought-provoking interpretation and should be a 'must' for everyone who is seriously interested in Euripidean tragedy. It fully deserves its own place within the canon of other long established views. * Scholia Reviews *
Roisman challenges orthodox ways of reading Greek tragedy . . . This, then, is a volume . . . for the mature scholar, who will enjoy the process of testing Roisman's hypotheses [and] evaluating their unusual implications . . . -- L. Golden, Florida State University * CHOICE, October 1999 Vol. 37 No. 2 *

Nothing is as it Seems The Tragedy of the

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    A Hardback by Hanna M. Roisman

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      View other formats and editions of Nothing is as it Seems The Tragedy of the by Hanna M. Roisman

      Publisher: Rowman & Littlefield
      Publication Date: 03/02/1999
      ISBN13: 9780847690923, 978-0847690923
      ISBN10: 084769092X

      Description

      Book Synopsis
      This text looks at Euripides' "Hippolytus" and offers an examination of the ancient preference for the implicit style, and suugests a possible reading of Euripides' first treatment of the myth which would account for The Athenian audience's reservations about his "Hippoytus Veiled".

      Trade Review
      Roisman discusses an impressive amount of secondary literature in a clearly structured way and concludes the book with two small, but useful indices. Hew style is precise, to the point, and pleasant to read. This monograph provides a convincing and thought-provoking interpretation and should be a 'must' for everyone who is seriously interested in Euripidean tragedy. It fully deserves its own place within the canon of other long established views. * Scholia Reviews *
      Roisman challenges orthodox ways of reading Greek tragedy . . . This, then, is a volume . . . for the mature scholar, who will enjoy the process of testing Roisman's hypotheses [and] evaluating their unusual implications . . . -- L. Golden, Florida State University * CHOICE, October 1999 Vol. 37 No. 2 *

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