Description

Book Synopsis

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.

The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.

The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic

Trade Review
'Notebooks is in fact a wonderful introduction to Klein's interior and physical worlds and provides solid evidence of what he might have been expected to achieve if ill health hadn't intervened. It's also, it turns out, a sketch of a very learned, very kindly, and often very funny man.' -- Douglas Fetherling

Notebooks

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    £26.99

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    RRP £29.99 – you save £3.00 (10%)

    Order before 4pm today for delivery by Fri 19 Jun 2026.

    A Paperback by A.M. Klein, Usher Caplan, Zailig Pollock


      View other formats and editions of Notebooks by A.M. Klein

      Publisher: University of Toronto Press
      Publication Date: 12/15/1995 12:00:00 AM
      ISBN13: 9781442623057, 978-1442623057
      ISBN10: 1442623055

      Description

      Book Synopsis

      Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.

      The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.

      The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic

      Trade Review
      'Notebooks is in fact a wonderful introduction to Klein's interior and physical worlds and provides solid evidence of what he might have been expected to achieve if ill health hadn't intervened. It's also, it turns out, a sketch of a very learned, very kindly, and often very funny man.' -- Douglas Fetherling

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