Description
Book SynopsisDr Liesbeth Groot Nibbelink is a Lecturer and Researcher in Theatre and Performance Studies at Utrecht University, Netherlands.
Trade ReviewThis book makes a valuable early addition to Methuen’s new series: Thinking Through Theatre. * Contemporary Theatre Review *
Table of ContentsList of Figures Acknowledgements 1 Introduction: Deterritorializing the Stage Primary Coordinates On the Move Theatre, Technology, Mobility A Note on Participation Theatre, Performance, Movement Deterritorialization Pause Deleuze’s Nomads Nomadic Theatre: A Concept, a Toolbox Theory as Tool: How to Do Things with Deleuze? Spatial Dramaturgy Points Are Relays on a Trajectory: Chapter Overview Playgrounding 2 Encounter: Meeting Multiplicity in Dries Verhoeven’s
No Man’s Land Of Horses and Wasps The Rhythms of a Smooth Stage Mind the Gap Performance Installations Staging the Spectator Walking with Abderraghman Triads and Constellations A Problem of Referentiality This Is Not My Voice: A Problem of Referentiality, Part 2 Fractured Reciprocity Building Performance Expanding Spectatorship 3 Displacement: The Situated Pathways of Rimini Protokoll Urban Moves The City as Stage Theatre Goes Global The Production of Space Performing Locality Navigating Representation Outsourced Performance Parallax 4 Cartographies:
Trail Tracking and Map-Making as Staging Strategy You Are Here Cartography: Fifth Principle of the Rhizome The Theatre of Cartography Performing Cartography Charting the Virtual Navigational Spaces Personal Velocity Material Maps Thinking Subjectivity Through Space: Politics of Location Witnessed Presence The Cartography of Theatre 5 Diagrams: Staging Proximity in Ontroerend Goed’s
The Smile Off Your Face A Nomad Does Not Necessarily Move A Wheelchair’s Thresholds Pleats of Proximity Event/Situation Into the Laboratory Thinking Through the Diagram The Grid of Capital Distributions of the Sensible A Spectator in the Dark The Dramaturgy of Proximity A Theatre of Folds 6 Architextures: The Rhizomatic Gameboards of Signa’s
The Ruby Town Oracle Drifting /Dwelling Borderzones Narrative Architecture and Environmental Storytelling Architectural Performances Evocative Spaces Procedural Passageways Playing at the Limits The Entirety of the Map Tissue, Traces, Tracks 7 Distributed Performance: Epilogue Pop-up Stores Trajectories of the Stage Folds of Spectating Lived Space and Diffractive Reading Staging Connections Procedural Dramaturgy /When Attitude Becomes Form Thinking Through Practice Thresholds of the Imagination Notes Bibliography Index
