Description

Book Synopsis
First performed at the midpoint of the twentieth century, John Cage's 4'33", a composition conceived of without a single musical note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. This title offers the reader both an expert's analysis and highly personal interpretation of Cage's most divisive work.

Trade Review
"'Gann's book perfectly proves Cage's belief that putting a frame around silence can be as rewarding as music itself.' (Andrew Male, Mojo) '4'33", Gann argues, though often suspected of being merely a 'provocative stunt', is actually one of the best understood and most influential works of avant-garde music... In describing the piece's premieres and reception, Gann recaptures its 'Promethean' impact, which cost Cage some friends and prompted his mother to ask, "Don't you think that John has gone too far this time?'" (The New Yorker)"

No Such Thing as Silence

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    A Paperback / softback by Kyle Gann

    4 in stock

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      Publisher: Yale University Press
      Publication Date: 25/01/2011
      ISBN13: 9780300171297, 978-0300171297
      ISBN10: 0300171293

      Description

      Book Synopsis
      First performed at the midpoint of the twentieth century, John Cage's 4'33", a composition conceived of without a single musical note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. This title offers the reader both an expert's analysis and highly personal interpretation of Cage's most divisive work.

      Trade Review
      "'Gann's book perfectly proves Cage's belief that putting a frame around silence can be as rewarding as music itself.' (Andrew Male, Mojo) '4'33", Gann argues, though often suspected of being merely a 'provocative stunt', is actually one of the best understood and most influential works of avant-garde music... In describing the piece's premieres and reception, Gann recaptures its 'Promethean' impact, which cost Cage some friends and prompted his mother to ask, "Don't you think that John has gone too far this time?'" (The New Yorker)"

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