Description

Book Synopsis
A kaleidoscopic overview of the influential artist and art director, cataloging thirty years of his work and his quest through the world of imagery.
Beginning in the early 1980s, artist Gianluigi Colin began to delve into the daily newspapers to extract words, images, and signs that caught his attention. With an eye on the world around him, Colin assembled a complex, varied, and layered vision, documenting daily life as it unfolded and became history. The mission he has set for himself is to “clothe” the news headlines and events, while systematically devising his own newspaper, creating an ongoing dialogue with the international press. This visual autobiography reveals the artist’s evolving confrontation between the two worlds of imagery and words, while offering a visual account of the graphic projects that Colin realized through his role as art director for the leading newspaper Corriere della Sera.

No News Good News

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    A Hardback by Gianluigi Colin, Arturo Carlo Quintavalle, John Berger

    £999.99

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      Book details

      Publisher Rizzoli
      Published 5/29/2018 12:00:00 AM
      ISBN-13 9780847860791
      978-0847860791
      ISBN-10 0847860795
      Also in:
      History of art Individual artists, art monographs Other graphic or visual art forms

      Description

      Book Synopsis
      A kaleidoscopic overview of the influential artist and art director, cataloging thirty years of his work and his quest through the world of imagery.
      Beginning in the early 1980s, artist Gianluigi Colin began to delve into the daily newspapers to extract words, images, and signs that caught his attention. With an eye on the world around him, Colin assembled a complex, varied, and layered vision, documenting daily life as it unfolded and became history. The mission he has set for himself is to “clothe” the news headlines and events, while systematically devising his own newspaper, creating an ongoing dialogue with the international press. This visual autobiography reveals the artist’s evolving confrontation between the two worlds of imagery and words, while offering a visual account of the graphic projects that Colin realized through his role as art director for the leading newspaper Corriere della Sera.

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