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Book Synopsis
This is a collection of autobiographical essays by Paul J Stankard, recognised widely as one of the world''s master glass artists. Stankard is particularly renowned and respected for his flame-worked floral motifs expressed in crystal paperweights, rectangular columns, and orbs. Paul was trained in scientific glassblowing and worked in industrial scientific glass during most of the 1960s. Challenged by an inner sense of creativity and the need to establish his creative independence, he started making paperweights in the early 1970s. Attracted to the emerging studio glass movement, recognised as a maker of fine paperweights, and driven by an intense and incessant pursuit of excellence, Paul was -- by the 1980s -- recognised as a highly accomplished glass artist, a member of the pioneering generation of glass artists in America. As the emotional, intellectual, and spiritual dimensions of his art matured, and as he continued to develop new techniques for expressing his art, he also assume

No Green Berries or Leaves

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    A Paperback / softback by Paul J Stankard

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      Publisher: McDonald & Woodward Publishing Company, US
      Publication Date: Publication Date: 15/09/2007
      ISBN13: 9780939923557, 978-0939923557
      ISBN10: 0939923556
      Also in:
      Individual artists, art monographs

      Description

      Book Synopsis
      This is a collection of autobiographical essays by Paul J Stankard, recognised widely as one of the world''s master glass artists. Stankard is particularly renowned and respected for his flame-worked floral motifs expressed in crystal paperweights, rectangular columns, and orbs. Paul was trained in scientific glassblowing and worked in industrial scientific glass during most of the 1960s. Challenged by an inner sense of creativity and the need to establish his creative independence, he started making paperweights in the early 1970s. Attracted to the emerging studio glass movement, recognised as a maker of fine paperweights, and driven by an intense and incessant pursuit of excellence, Paul was -- by the 1980s -- recognised as a highly accomplished glass artist, a member of the pioneering generation of glass artists in America. As the emotional, intellectual, and spiritual dimensions of his art matured, and as he continued to develop new techniques for expressing his art, he also assume

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