Description

Book Synopsis

Our of print for years and newly retitled and expanded, this deluxe new edition of Gifford''s celebrated handbook unlocks the secrets of noir movies and their relevance today

For a tour of noir cinema, No Daylight in this Face is the perfect companion, and Barry Gifford is an ideal guide. His choice selection of films exposes the menacing, moody, and oftentimes violent underbelly of this dark movie genre that occupies a favorite niche in American popular culture.
Some are classics, some are little known and seldom seen, but all, once viewed, are deeply remembered by aficionados of 
noir. Gifford''s roll call of unforgettables includes these, and more: The Asphalt Jungle, Body and Soul, Body Heat, Charley Varrick, Chinatown, The Devil Thumbs a Ride, D.O.A., Double Indemnity, High Sierra, Key Largo, Kiss of Death, Mean Streets, Mildred Pierce, Mr. Majestyk, Out of the Past, The Strange Love of Martha Ivers, Strangers on a Train, White Heat, along with several noir classics from Europe―Repulsion, The Hidden Room, Shoot the Piano Player, The 400 Blows, Odd Man Out.
Gifford identifies the directors and names the many 
noir stars, the greats and not-so-greats who were cast in the indelible roles of hoods, B-girls, psychopaths, grifters, gumshoes, waifs, tarts, femme fatales, mobsters, molls, and ex-cons.
In an introduction, novelists Edward Gorman and Dow Mossman collaboratively applaud Gifford''s selections and his insights: “The movies discussed here range from the lowest of the B''s to the biggest of the A''s, and this book is going to make you want to run out and locate every one of them (and good luck to you; finding 
The Devil Thumbs a Ride could take you a lifetime). Through Barry Gifford''s eyes, we begin to see their similarities and their value. What Andrew Sarris did for the mainstream film in The American Cinema, Barry does here for the crime film.”
With a connoisseur''s insight and an offbeat sensitivity perfectly tailored to his subjects, Gifford''s brief essays cover a hundred of the 
noir buff''s favorites. His highly polished impressions take the reader through five decades of noir to find both the heart and the art of the plotline.

No Daylight in That Face

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    A Hardback by Barry Gifford

    £17.99

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    RRP £19.99 – you save £2.00 (10%)

    Order before 4pm tomorrow for delivery by Wed 30 Sep 2026.

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      Book details

      Published 1/20/2025
      ISBN-13 9781644284605
      978-1644284605
      ISBN-10 164428460X

      Description

      Book Synopsis

      Our of print for years and newly retitled and expanded, this deluxe new edition of Gifford''s celebrated handbook unlocks the secrets of noir movies and their relevance today

      For a tour of noir cinema, No Daylight in this Face is the perfect companion, and Barry Gifford is an ideal guide. His choice selection of films exposes the menacing, moody, and oftentimes violent underbelly of this dark movie genre that occupies a favorite niche in American popular culture.
      Some are classics, some are little known and seldom seen, but all, once viewed, are deeply remembered by aficionados of 
      noir. Gifford''s roll call of unforgettables includes these, and more: The Asphalt Jungle, Body and Soul, Body Heat, Charley Varrick, Chinatown, The Devil Thumbs a Ride, D.O.A., Double Indemnity, High Sierra, Key Largo, Kiss of Death, Mean Streets, Mildred Pierce, Mr. Majestyk, Out of the Past, The Strange Love of Martha Ivers, Strangers on a Train, White Heat, along with several noir classics from Europe―Repulsion, The Hidden Room, Shoot the Piano Player, The 400 Blows, Odd Man Out.
      Gifford identifies the directors and names the many 
      noir stars, the greats and not-so-greats who were cast in the indelible roles of hoods, B-girls, psychopaths, grifters, gumshoes, waifs, tarts, femme fatales, mobsters, molls, and ex-cons.
      In an introduction, novelists Edward Gorman and Dow Mossman collaboratively applaud Gifford''s selections and his insights: “The movies discussed here range from the lowest of the B''s to the biggest of the A''s, and this book is going to make you want to run out and locate every one of them (and good luck to you; finding 
      The Devil Thumbs a Ride could take you a lifetime). Through Barry Gifford''s eyes, we begin to see their similarities and their value. What Andrew Sarris did for the mainstream film in The American Cinema, Barry does here for the crime film.”
      With a connoisseur''s insight and an offbeat sensitivity perfectly tailored to his subjects, Gifford''s brief essays cover a hundred of the 
      noir buff''s favorites. His highly polished impressions take the reader through five decades of noir to find both the heart and the art of the plotline.

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