Description

Book Synopsis
Examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s and, conversely, what difference modernism made to the New Deal's famed invention of "Big Government."

Trade Review
New Deal Modernism tells a strikingly new story about the relations of literature to political agency. Szalay’s work will be a welcome provocation, both to left revisionist scholarship on cultural politics and to the historiography of U.S. modernism.”—Sara Blair, University of Michigan
“An argument of striking range and precision. Oppositions of left and right, realist and modernist will look different from now on. A terrific book.”—Richard Ohmann, Wesleyan University
“Szalay brilliantly relates aesthetic debates of the 1930s to debates over how art might survive economic conditions in which art objects have little chance of competing with basic economic necessities. Szalay’s unique contribution is to show exactly how, in providing insurance against the market, the New Deal reinvented the project of making art.”—Frances Ferguson, Johns Hopkins University
“Through its frank assessment of New Deal culture, Szalay’s book adds mightily to the renascence of history-minded revisions of literary modernism. If you want to know how literary citizenship connected with the social motion of state initiatives like the Social Security Administration or the Federal Arts Project, then this is a very good place to begin.”—Andrew Ross, New York University

Table of Contents
Introduction: The Literature of the Welfare State
1. “The Whole Question of What Writing Is”: Jack London, the Literary Left, and the Federal Writers’ Project


2. The Politics of Textual Integrity: Ayn Rand, Gertrude Stein, and Ernest Hemingway

3. Wallace Stevens and the Invention of Social Security

4. The Vanishing American Father: Sentiment and Labor in The Grapes of Wrath and A Tree Grows in Brooklyn

5. “The Death of the Gallant Liberal”: Robert Frost, Richard Wright, and Busby Berkeley
Conclusion: New Deal Postmodernism
Notes
Index

New Deal Modernism

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    A Paperback / softback by Michael Szalay

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      Publisher: Duke University Press
      Publication Date: Publication Date: 29/12/2000
      ISBN13: 9780822325628, 978-0822325628
      ISBN10: 0822325624

      Description

      Book Synopsis
      Examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s and, conversely, what difference modernism made to the New Deal's famed invention of "Big Government."

      Trade Review
      New Deal Modernism tells a strikingly new story about the relations of literature to political agency. Szalay’s work will be a welcome provocation, both to left revisionist scholarship on cultural politics and to the historiography of U.S. modernism.”—Sara Blair, University of Michigan
      “An argument of striking range and precision. Oppositions of left and right, realist and modernist will look different from now on. A terrific book.”—Richard Ohmann, Wesleyan University
      “Szalay brilliantly relates aesthetic debates of the 1930s to debates over how art might survive economic conditions in which art objects have little chance of competing with basic economic necessities. Szalay’s unique contribution is to show exactly how, in providing insurance against the market, the New Deal reinvented the project of making art.”—Frances Ferguson, Johns Hopkins University
      “Through its frank assessment of New Deal culture, Szalay’s book adds mightily to the renascence of history-minded revisions of literary modernism. If you want to know how literary citizenship connected with the social motion of state initiatives like the Social Security Administration or the Federal Arts Project, then this is a very good place to begin.”—Andrew Ross, New York University

      Table of Contents
      Introduction: The Literature of the Welfare State
      1. “The Whole Question of What Writing Is”: Jack London, the Literary Left, and the Federal Writers’ Project


      2. The Politics of Textual Integrity: Ayn Rand, Gertrude Stein, and Ernest Hemingway

      3. Wallace Stevens and the Invention of Social Security

      4. The Vanishing American Father: Sentiment and Labor in The Grapes of Wrath and A Tree Grows in Brooklyn

      5. “The Death of the Gallant Liberal”: Robert Frost, Richard Wright, and Busby Berkeley
      Conclusion: New Deal Postmodernism
      Notes
      Index

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