Description
Book SynopsisThe notion of crime crosses generic, disciplinary and cultural frontiers. In an era of identity fraud, eco-crime and global terrorism, this collection moves towards a reconsideration of crime in the French and Francophone literary and cultural imagination. How have our conceptions of ‘criminal’ behaviour developed? How has the French genre of crime fiction, encompassing, but not limited to, the
polar, the
roman policier and
film noir, evolved and reinvented itself? The volume adopts a number of theoretical approaches, which range from sociological and criminological discourse to literary criticism and postcolonial theory (by Chamoiseau, Durkheim, Deleuze, Foucault, Glissant, Krafft-Ebing and Todorov). In a wide-ranging series of innovative and challenging readings, it examines ideas which include the evolving concept of crime in literature from Voltaire and censorship through to scientific constructions of criminality in the nineteenth century and in the postcolonial era, both within and outside metropolitan France. The volume also explores ‘textual crimes’ in contemporary Martinican women’s writing, crime as a genre in André Héléna, Serge Arcouët and Jean Meckert, Sébastien Japrisot and Dominique Manotti, and visual responses to crime by artist Jacques Monory and filmmaker Didier Bivel.
Table of ContentsContents: Louise Hardwick: Introduction – Lisa Downing: Criminality, Sexuality, Abnormality: Nineteenth-Century Scientific Constructions – Emma Bielecki: Faking it: Representations of Art Forgery from the Second Empire to the Belle Epoque – Aurélie L’Hostis: Unchaining Memory in the French Caribbean – Lorna Milne: Who Done What? Marie Nimier’s Text Crimes – James Hanrahan: Literary Crime and Innovation against Punishment: Voltaire and the Censorship Authorities before 1750 – Jennifer Jahn: Colonial Crimes: Female Perspectives of the Colonial Legacy – Claire Gorrara: Dramatic and Traumatic: French Crime Fiction and the Reconstruction of France – Simon Kemp: ‘Le Roman Policier Par Excellence’: Narrative Perspective in Sébastien Japrisot and the Norms of the Crime Novel – Véronique Desnain: ‘L’histoire du crime’: The Crime Novels of Dominique Manotti – Fernando Stefanich: Crime and the
Figuration narrative Movement: The Case of Jacques Monory – Deborah S. Reisinger: Writing Memory:
Point Kilométrique 190 and the Grimzi Affair – Chong J. Wojtkowski: Bad Boys/Petits Frères: The Representation of Delinquency in
Fais-moi des vacances.
