Description



Table of Contents
“Introduction”, Reindert Falkenburg & Mariët Westermann “Exporting Art across the Globe: The Antwerp Art Market in the Sixteenth Century”, Filip Vermeylen “Second Bosch: Family Resemblance and the Marketing of Art”, Larry Silver “Marked for the Market?: Continuity, Collaboration and the Mechanics of Artistic Production of History Painting in the Francken Workshops in Counter-Reformation Antwerp”, Natasja Peeters “Exploring Markets for Netherlandish Paintings in Spain and Nueva España”, Neil De Marchi & Hans J. Van Miegroet “Over Brabantse vodden, economische concurrentie, artistieke wedijver en de groei van de markt voor schilderijen in de eerste decennia van de zeventiende eeuw”, Eric Jan Sluijter “Auction Sales of Works of Art in Amsterdam (1597-1638)”, J. Michael Montias “Een nieuwe markt voor kunst: De expansie van de Haarlemse schilderijenmarkt in de eerste helft van de zeventiende eeuw”, M.E.W. Boers “Fray en Leelijck: Adriaen van de Venne's Invention of the Ironic Grisaille”, Mariët Westermann “The Art of Bookkeeping: Pieter Serwouters (1586-1657) and the Status of Pictorial Accounts in Seventeenth-Century Holland”, Claudia Swan

Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 50 (1999): Kunst voor de markt, 1500-1700 / Art for the Market, 1500-1700. Paperback Edition

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    A Paperback by Reindert Falkenburg, Jan de Jong, Dulcia Meijers

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      View other formats and editions of Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 50 (1999): Kunst voor de markt, 1500-1700 / Art for the Market, 1500-1700. Paperback Edition by Reindert Falkenburg

      Publisher: Brill
      Publication Date: Publication Date: 01/01/2000
      ISBN13: 9789004267725, 978-9004267725
      ISBN10:
      Also in:
      History of art Yearbooks, annuals, almanacs

      Description



      Table of Contents
      “Introduction”, Reindert Falkenburg & Mariët Westermann “Exporting Art across the Globe: The Antwerp Art Market in the Sixteenth Century”, Filip Vermeylen “Second Bosch: Family Resemblance and the Marketing of Art”, Larry Silver “Marked for the Market?: Continuity, Collaboration and the Mechanics of Artistic Production of History Painting in the Francken Workshops in Counter-Reformation Antwerp”, Natasja Peeters “Exploring Markets for Netherlandish Paintings in Spain and Nueva España”, Neil De Marchi & Hans J. Van Miegroet “Over Brabantse vodden, economische concurrentie, artistieke wedijver en de groei van de markt voor schilderijen in de eerste decennia van de zeventiende eeuw”, Eric Jan Sluijter “Auction Sales of Works of Art in Amsterdam (1597-1638)”, J. Michael Montias “Een nieuwe markt voor kunst: De expansie van de Haarlemse schilderijenmarkt in de eerste helft van de zeventiende eeuw”, M.E.W. Boers “Fray en Leelijck: Adriaen van de Venne's Invention of the Ironic Grisaille”, Mariët Westermann “The Art of Bookkeeping: Pieter Serwouters (1586-1657) and the Status of Pictorial Accounts in Seventeenth-Century Holland”, Claudia Swan

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