Description
Book SynopsisIn
Negro Soy Yo Marc D. Perry explores how Cuban
raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux.
Trade Review"If you're not familiar with Cuban hip hop,
Negro Soy Yo is an excellent starting point to get the wheels turning in your head, to start thinking about the music and all of the different places it is coming from, what it’s discussing and why. Perry has given us an excellent text to get people from outside of the island to consider how the music communicates things about society that we don’t get elsewhere." * Scratched Vinyl *
"
Negro Soy Yo makes a distinguished contribution to the study of raced citizenship and the performance of blackness through the self-fashioning of Cuban hip-hop." -- Melisa Riviére * Journal of the Royal Anthropological Institute *
"A necessary guide for understanding the present and future of racialized social stratification [in Cuba]. . . . Perry’s most important contribution lies in how he unites the genealogy of Cuban hip-hop with that of the contemporary Cuban anti-racist movement and points sharply toward the political urgency of continued antiracist critiques in the present and future." -- Maya Berry * Latin American Music Review *
"
Negro Soy Yo provides an insightful and grassroots account of the Cuban hip hop movement’s discursive and affirmative evolution in an emerging neoliberal moment." -- Alexandrine Boudreault-Fournier * Journal of Anthropological Research *
"Perry effectively cuts between lyrics, house parties, run-ins with the police, music festivals, conversations, and theoretical reflections in a multilayered 'raced ethnography' that glistens with his desire to describe an enormous range of details about life in neoliberal Cuba. . . . He contributes wonderfully to Latin American and Caribbean studies, as well as African diaspora studies, cultural studies, cultural anthropology, and ethnomusicology." -- Daniel Castro Pantoja & Jacob Rekedal * Latin American Research Review *
“Perry’s study is an insightful and nuanced analysis of the Cuban hip-hop movement and an original take on the issue of race and youth culture in transitional post-Soviet Cuban society.” -- Daliany Jerónimo Kersh * International Journal of Cuban Studies *
"For those not familiar with Afro-Cuban life, the book is an excellent introduction to such, as it intersects the fields of Anthropology, Cultural Studies, Latin American Studies, and Ethnomusicology. . . . The beauty of Perry’s text is that it is an excellent book for those not on the island who do not know how the music communicates things about Afro-Cuban society. To date readers cannot get this aspect of Cuban hip hop anywhere else." -- Reginald A. Bess * The Latin Americanist *
Table of ContentsAcknowledgments ix
Introduction 1
1. Raced Neoliberalism: Groundings for Hip Hop 29
2. Hip Hop Cubano: An Emergent Site of Black Life 57
3. New Revolutionary Horizons 91
4. Critical Self-Fashionings and Their Gendering 135
5. Racial Challenges and the State 171
6. Whither Hip Hop Cubano? 199
Postscript 235
Notes 239
References 255
Index 273
