Description

Book Synopsis


Trade Review
"This is a fascinating, sharply analyzed, and well-writ ten account of the evolution of black leaders' efforts to use public forums to define and disseminate African American history and identity on their own terms, as well as to insert African Americans into broader narratives and ideologies of American and/or pan-African history. Of particular note is the value of Wilson's interdisciplinary approach, which brings together methods and insights from fields ranging from art history to architecture, visual culture, and urban studies. By conceptualizing these social spaces as an extension of a black counterpublic sphere, where African Americans could formulate, debate, and articulate ideologies of race and nation that ran counter to white discourse, Wilson helps to place these venues within the broader political context of their time." * American Historical Review *
"Ambitious in its aim and far-reaching in its content, Wilson’s Negro Buildings provides a much-needed primer for the study of black-organized exhibitions found at World’s Fairs and Expositions from the late nineteenth century to the present. . . . With its interdisciplinary scope and nuanced analysis, scholars in a host of disciplines—African American studies, American Studies, Art History, History, and Museum Studies—will no doubt find the text useful." * caa.reviews *
"Wilson’s thoroughly researched and well-written narrative meticulously reconstructs the planning, execution, and impact of numerous expositions and fairs, drawing lines of continuity among them. In addition, ample illustrations provide readers with photographic images of the fairs, exhibition maps, and the artists’ prints and sculptures displayed in the exhibits. Wilson’s interdisciplinary study should be valuable to scholars of world’s fairs, visual culture and architecture, and African American public history." * Journal of African American History *
"A valuable new study . . . a substantive and thoroughly researched monograph." * Reviews in American History *
"Well-researched, thoughtful, bold, and direct." * Journal of American History *

Table of Contents
List of Figures
Acknowledgments
Introduction

Prologue
1. Progress of a Race:
The Black Side’s Contribution to Atlanta’s World’s Fair
2. Exhibiting the American Negro
3. Remembering Emancipation Up North
4. Look Back, March Forward
5. To Make a Black Museum
Epilogue

Notes
Bibliography
Index

Negro Building

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    £28.50

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    RRP £30.00 – you save £1.50 (5%)

    Order before 4pm today for delivery by Sat 1 Aug 2026.

    A Paperback / softback by Mabel O. Wilson

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      Publisher: University of California Press
      Publication Date: Publication Date: 09/02/2021
      ISBN13: 9780520383074, 978-0520383074
      ISBN10: 0520383079

      Description

      Book Synopsis


      Trade Review
      "This is a fascinating, sharply analyzed, and well-writ ten account of the evolution of black leaders' efforts to use public forums to define and disseminate African American history and identity on their own terms, as well as to insert African Americans into broader narratives and ideologies of American and/or pan-African history. Of particular note is the value of Wilson's interdisciplinary approach, which brings together methods and insights from fields ranging from art history to architecture, visual culture, and urban studies. By conceptualizing these social spaces as an extension of a black counterpublic sphere, where African Americans could formulate, debate, and articulate ideologies of race and nation that ran counter to white discourse, Wilson helps to place these venues within the broader political context of their time." * American Historical Review *
      "Ambitious in its aim and far-reaching in its content, Wilson’s Negro Buildings provides a much-needed primer for the study of black-organized exhibitions found at World’s Fairs and Expositions from the late nineteenth century to the present. . . . With its interdisciplinary scope and nuanced analysis, scholars in a host of disciplines—African American studies, American Studies, Art History, History, and Museum Studies—will no doubt find the text useful." * caa.reviews *
      "Wilson’s thoroughly researched and well-written narrative meticulously reconstructs the planning, execution, and impact of numerous expositions and fairs, drawing lines of continuity among them. In addition, ample illustrations provide readers with photographic images of the fairs, exhibition maps, and the artists’ prints and sculptures displayed in the exhibits. Wilson’s interdisciplinary study should be valuable to scholars of world’s fairs, visual culture and architecture, and African American public history." * Journal of African American History *
      "A valuable new study . . . a substantive and thoroughly researched monograph." * Reviews in American History *
      "Well-researched, thoughtful, bold, and direct." * Journal of American History *

      Table of Contents
      List of Figures
      Acknowledgments
      Introduction

      Prologue
      1. Progress of a Race:
      The Black Side’s Contribution to Atlanta’s World’s Fair
      2. Exhibiting the American Negro
      3. Remembering Emancipation Up North
      4. Look Back, March Forward
      5. To Make a Black Museum
      Epilogue

      Notes
      Bibliography
      Index

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