Description

Book Synopsis

Navarasas, Autoethnodrama & DIY Immersive Theatre is composed of two interwoven texts, each in dialogue with the other.

Part I presents a distinctive autoethnodrama, dramatizing nearly two decades of Dineshâs experiences as a theatre maker, researcher, and educator in conflict zones. This section offers readers an interactive and experiential way to engage with Dineshâs ideas and is aimed particularly at emerging practice-based researchers who are considering creating work in/about/within fraught contexts. Part II provides analytical, visual renderings of the evolution of Dineshâs thinking around the five WsâWho, What, When, Where, and Why. Drawing on her prior work in Kashmir and her ongoing engagements at San Quentin State Prison, this section of the book delves into the complexities of the researcher-practitioner experience in settings shaped by violence and trauma. By using navarasas, autoethnodrama, and DIY immersive theatre as her conceptual framew

Navarasas Autoethnodrama DIY Immersive Theatre

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    A Hardback by Nandita Dinesh

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      View other formats and editions of Navarasas Autoethnodrama DIY Immersive Theatre by Nandita Dinesh

      Publisher: Taylor & Francis
      Publication Date: 12/6/2024
      ISBN13: 9781032796048, 978-1032796048
      ISBN10: 1032796049

      Description

      Book Synopsis

      Navarasas, Autoethnodrama & DIY Immersive Theatre is composed of two interwoven texts, each in dialogue with the other.

      Part I presents a distinctive autoethnodrama, dramatizing nearly two decades of Dineshâs experiences as a theatre maker, researcher, and educator in conflict zones. This section offers readers an interactive and experiential way to engage with Dineshâs ideas and is aimed particularly at emerging practice-based researchers who are considering creating work in/about/within fraught contexts. Part II provides analytical, visual renderings of the evolution of Dineshâs thinking around the five WsâWho, What, When, Where, and Why. Drawing on her prior work in Kashmir and her ongoing engagements at San Quentin State Prison, this section of the book delves into the complexities of the researcher-practitioner experience in settings shaped by violence and trauma. By using navarasas, autoethnodrama, and DIY immersive theatre as her conceptual framew

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