Description

Book Synopsis
Nature Speaks recovers the common ground shared between physics-what used to be known as "natural philosophy"-and fiction-writing as ways of representing the natural world. In doing so, it traces how nature gained an authoritative voice in the late medieval period only to lose it at the outset of modernity.

Trade Review
"Nature Speaks is inspirational, since it offers new insights for the field of medieval literature, and the ambition and scope of the work are to be applauded." * Isis *
"At a moment when the human relationship to the natural world is deeply in need of attention and rearticulation, Kellie Robertson has given us a book that closely studies representations of the 'naturalness' of human beings in late medieval French and English literature. Robertson seeks to restore to view a pre-modern version of the human as internal to the natural world, a concept that creates a terrain for wideranging debate about the desires, compulsions, limits, and freedoms of human beings." * Review of English Studies *
"Kellie Robertson's book is an indispensable study of the idea of nature in the writings of Jean de Meun, Guillaume de Deguileville, Geoffrey Chaucer, and John Lydgate. Revising the foundational work on nature and Platonism undertaken several generations ago, it offers an entirely new way of understanding the significance of nature in vernacular writing." * D. Vance Smith, Princeton University *

Table of Contents

A Note on Citations and Abbreviations
Introduction: Medieval Poetry and Natural Philosophy
PART I. FRAMING MEDIEVAL NATURE
Chapter 1. Figuring Physis
Chapter 2. Aristotle's Nature and Its Discontents
PART II. ALLEGORIZING NATURE IN THE VERNACULAR
Chapter 3. Jean de Meun and the Rule of Necessity
Chapter 4. Allegory Without Nature: Guillaume de Deguileville's Pèlerinage de vie humaine
PART III. LOVE AND TH ELIMITS OF NATURAL REASON
Chapter 5. Chaucer's Natures
Chapter 6. "Kyndely Reson" on Trial: Translating Nature After Chaucer
Epilogue: Nature's Silence: Humanism, Posthumanism, and the Legacy of Medieval Nature
Notes
Works Cited
Index
Acknowledgments

Nature Speaks Medieval Literature and

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    A Hardback by Kellie Robertson

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      View other formats and editions of Nature Speaks Medieval Literature and by Kellie Robertson

      Publisher: University of Pennsylvania Press
      Publication Date: Publication Date: 09/03/2017
      ISBN13: 9780812248654, 978-0812248654
      ISBN10: 0812248651

      Description

      Book Synopsis
      Nature Speaks recovers the common ground shared between physics-what used to be known as "natural philosophy"-and fiction-writing as ways of representing the natural world. In doing so, it traces how nature gained an authoritative voice in the late medieval period only to lose it at the outset of modernity.

      Trade Review
      "Nature Speaks is inspirational, since it offers new insights for the field of medieval literature, and the ambition and scope of the work are to be applauded." * Isis *
      "At a moment when the human relationship to the natural world is deeply in need of attention and rearticulation, Kellie Robertson has given us a book that closely studies representations of the 'naturalness' of human beings in late medieval French and English literature. Robertson seeks to restore to view a pre-modern version of the human as internal to the natural world, a concept that creates a terrain for wideranging debate about the desires, compulsions, limits, and freedoms of human beings." * Review of English Studies *
      "Kellie Robertson's book is an indispensable study of the idea of nature in the writings of Jean de Meun, Guillaume de Deguileville, Geoffrey Chaucer, and John Lydgate. Revising the foundational work on nature and Platonism undertaken several generations ago, it offers an entirely new way of understanding the significance of nature in vernacular writing." * D. Vance Smith, Princeton University *

      Table of Contents

      A Note on Citations and Abbreviations
      Introduction: Medieval Poetry and Natural Philosophy
      PART I. FRAMING MEDIEVAL NATURE
      Chapter 1. Figuring Physis
      Chapter 2. Aristotle's Nature and Its Discontents
      PART II. ALLEGORIZING NATURE IN THE VERNACULAR
      Chapter 3. Jean de Meun and the Rule of Necessity
      Chapter 4. Allegory Without Nature: Guillaume de Deguileville's Pèlerinage de vie humaine
      PART III. LOVE AND TH ELIMITS OF NATURAL REASON
      Chapter 5. Chaucer's Natures
      Chapter 6. "Kyndely Reson" on Trial: Translating Nature After Chaucer
      Epilogue: Nature's Silence: Humanism, Posthumanism, and the Legacy of Medieval Nature
      Notes
      Works Cited
      Index
      Acknowledgments

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