Description

Book Synopsis
A critical study of the films of Stanley Kubrick, one of the great directors of the century. García Mainar's critical study of the films of the late Stanley Kubrick includes analysis of all but his last work, Eyes Wide Shut, and offers both a formal analysis of the films based on style and narrative pattern, and atheoretical, postmodernist approach to ideas presented in the films. García Mainar is particularly concerned with analyzing the relevance of spectacle in Kubrick's films, seeing it as a disruptive mechanism that can call into question the value and necessity of communication. He identifies different kinds of spectacle in the films, and proceeds to a detailed examination of these different forms in 2001 A Space Odyssey, Barry Lyndon, and Full Metal Jacket. Luis M. García Mainar teaches English at the University of Zaragoza, Spain.

Table of Contents
Introduction Poetics Modifications of Accounts of Film as Narrative, Motivated by the Previous Analysis of Poetics 2001: A Space Odyssey(1968); or, A Journey toward Ambiguity Barry Lyndon(1975); or, The Comnfort of Tradition Full Metal Jacket(1987): One Possible Answer Conclusion

Narrative and Stylistic Patterns in the Films of

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    A Paperback / softback by Luis M. García Mainar

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      Book details

      Publisher Camden House Inc
      Published 24 June 1999
      ISBN-13 9781571132659
      978-1571132659
      ISBN-10 1571132651
      Also in:
      Filmmaking and production

      Description

      Book Synopsis
      A critical study of the films of Stanley Kubrick, one of the great directors of the century. García Mainar's critical study of the films of the late Stanley Kubrick includes analysis of all but his last work, Eyes Wide Shut, and offers both a formal analysis of the films based on style and narrative pattern, and atheoretical, postmodernist approach to ideas presented in the films. García Mainar is particularly concerned with analyzing the relevance of spectacle in Kubrick's films, seeing it as a disruptive mechanism that can call into question the value and necessity of communication. He identifies different kinds of spectacle in the films, and proceeds to a detailed examination of these different forms in 2001 A Space Odyssey, Barry Lyndon, and Full Metal Jacket. Luis M. García Mainar teaches English at the University of Zaragoza, Spain.

      Table of Contents
      Introduction Poetics Modifications of Accounts of Film as Narrative, Motivated by the Previous Analysis of Poetics 2001: A Space Odyssey(1968); or, A Journey toward Ambiguity Barry Lyndon(1975); or, The Comnfort of Tradition Full Metal Jacket(1987): One Possible Answer Conclusion

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