Description
Book SynopsisDaniel B. Sharp is Associate Professor at Tulane University, USA, jointly appointed in music and Latin American studies. He is currently chair of the Tulane music department. He is the author of
Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil (2014).
Trade ReviewThe structure of this well-documented work is as rigorous as it is thoughtful and provocative. … Sharp choreographs and curates with thematic balance and stylistic creativity throughout the pages of his highly readable volume. -- Steven F. Butterman, University of Miami * Latin American Music Review *
Table of ContentsAcknowledgments Figures Introduction 1. Naná in Recife, from Bossa to Tropicália 2. Counterculture and Dictatorship in Rio de Janeiro 3. The Enchanting and Revolutionary Berimbau: Naná and Glauber Rocha in New York City 4. Naná and Don Cherry: In Tune with Time Interlude: ECM Records Interlude: Creative Music Studio (CMS): The Unmusic School 5. Naná and Egberto 6. Utopia, Caricature, Satire, and Therapy: Naná in France Interlude: Naná’s place within the
Fourth World 7. Race, Primitivism, and Counterculture 8. Voice, Body, Rhythm, and Special Effects 9. Saudades and Saudades
Epilogue: After Saudades
List of Interviews Endnotes Index
