Description

Book Synopsis
A cultural geographer and an art historian offer fresh interpretations of Muybridge's famous motion studies through the lenses of mobility and race. In 1878, Eadweard Muybridge successfully photographed horses in motion, proving that all four hooves leave the ground at once for a split second during full gallop. This was the beginning of Muybridge's decades-long investigation into instantaneous photography, culminating in his masterpiece Animal Locomotion. Muybridge became one of the most influential photographers of his time, and his stop-motion technique helped pave the way for the motion-picture industry, born a short decade later. Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of mobility, in which specific forms of motion are given extraordinary significance and accrued value. Through a lively, interdisciplinary exchange, the authors explore how mobility is contextualized within the tra

Table of Contents
Contents

Introduction
Anthony W. Lee

Visualizing Mobility
Tim Cresswell

Race and Mobility
John Ott

Notes
Index

Muybridge and Mobility

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    A Paperback / softback by Tim Cresswell, John Ott, Anthony W. Lee

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      Book details

      Publisher University of California Press
      Published 15 March 2022
      ISBN-13 9780520382435
      978-0520382435
      ISBN-10 0520382439
      Also in:
      History of art Human geography

      Description

      Book Synopsis
      A cultural geographer and an art historian offer fresh interpretations of Muybridge's famous motion studies through the lenses of mobility and race. In 1878, Eadweard Muybridge successfully photographed horses in motion, proving that all four hooves leave the ground at once for a split second during full gallop. This was the beginning of Muybridge's decades-long investigation into instantaneous photography, culminating in his masterpiece Animal Locomotion. Muybridge became one of the most influential photographers of his time, and his stop-motion technique helped pave the way for the motion-picture industry, born a short decade later. Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of mobility, in which specific forms of motion are given extraordinary significance and accrued value. Through a lively, interdisciplinary exchange, the authors explore how mobility is contextualized within the tra

      Table of Contents
      Contents

      Introduction
      Anthony W. Lee

      Visualizing Mobility
      Tim Cresswell

      Race and Mobility
      John Ott

      Notes
      Index

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