Description
Book SynopsisMuslims in the Western Imagination explores the ways in which Muslim men are depicted as monsters throughout history. Monsters help a society delineate who belongs in a social group and who, or what, is excluded. Even when Muslim monsters are symbolic, as in post-9/11 zombie films, they still function to define Muslims as non-human entities. These are not portrayals of Muslim men as malevolent human characters, but rather as creatures that occupy the imagination--non-humans that exhibit their wickedness outwardly on the skin. They populate medieval tales, Renaissance paintings, Shakespearean dramas, Gothic horror novels, and Hollywood films. Through an exhaustive survey of medieval, early modern, and contemporary literature, art, and cinema, Sophia Rose Arjana examines the dehumanizing ways in which Muslim men have been constructed and represented as monsters, and the impact such representations have on perceptions of Muslims. The study is the first to present a Foucauldian genealogy o
Trade ReviewArjana succeeds in supplying ample evidence that exposes a long history of the 'monsterization' and vilification of Muslims within the Western European and North American traditions of popular culture. Her concern for how these perpetuate mischaracterization of both Muslims and Islam and result in mistreatment, unfair exclusion, and outright injustice is well grounded and deserves serious attention, with expressed hope for correction. * R. Charles Weller, Religion *
Islamophobia is a broad pathology of our times. Pegged to September 11, 2001, it has continued to flourish in the shadow of subsequent wars waged by the US and its allies, throughout the Middle East. While Abu Ghraib became one of the showcases of American horror, Homeland set the mark for thinking about, or imagining, Muslim enemies. Both are highlighted in this, the first genealogy, which is also a semiotics, of Islamophobia. A well-researched, carefully staged book, it illumines how brutal images of monster Muslims have become commonplace, almost reflexive in the long afterlife of the War on Terror. * Bruce Lawrence, Professor of Islamic Studies Emeritus, Duke University *
Rigorously historical, and partaking of the best of discursive analysis, this is a remarkable study of the distorted mirror in which the Western imagination has conceived of Muslims. As Arjana demonstrates, this tells me almost nothing about Muslims, and a great deal about the Western imagination. Arjana makes a persuasive case that in order to understand the dehumanizing practices in Guantanamo Bay, Abu Ghraib, Bagram, and elsewhere, we need to cast a much longer critical look at the history of the Western imaginaire about Muslims [as] Monsters. Essential reading for Islamic studies, American studies, and European history. * Omid Safi, Director of Duke Islamic Studies Center, Duke University *
In The Satanic Verses, Salman Rushdie wrote this about the power of representation: They describe us . . . that's all. They have the power of description, and we succumb to the pictures they construct. In her exhaustive and often disturbing work, Sophia Arjana catalogues the many ways in which Muslims have been described as monsters. It is a compelling book. * Amir Hussain, Editor, Journal of the American Academy of Religion *
Table of ContentsIntroduction: Islam in the Western Imagination ; Chapter 1: The Muslim Monster ; Chapter 2: Medieval Muslim Monsters ; Chapter 3: Turkish Monsters ; Chapter 4: The Monsters of Orientalism ; Chapter 5: Muslim Monsters in the Americas ; Chapter 6: The Monsters of September 11th ; Notes ; Bibliography ; Index
