Description

Book Synopsis
Intended for the aspiring artist as well as the enthusiastic amateur, this invaluable guide to piano practice and performance covers every major aspect of pianistic technique. Drawing from more than forty years experience as a teacher and highly acclaimed performer,as well as from her studies with Rachmaninoff, Schnabel, and Cortot,Slenczynska clearly demonstrates such basics as the proper use of hand positions, fingering, pedaling, ornamentation, various fingering touches, and counting. She also gives detailed instructions on the art of program building, carefully analyzing the concert programs of Horowitz, Rubinstein, and Serkin and pointing out the strengths and weaknesses of their program construction. She includes repertoire lists for performance at various levels of ability, a complete chart of ornament interpretation, and authoritative advice on posture, sight-reading, rhythm, note-learning, and memorization. Her book is essential reading for all who enjoy in the piano-beginners

Music at Your Fingertips

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    £14.24

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    RRP £14.99 – you save £0.75 (5%)

    Order before 4pm today for delivery by Wed 17 Jun 2026.

    A Paperback by Ruth Slenczynska

    15 in stock


      View other formats and editions of Music at Your Fingertips by Ruth Slenczynska

      Publisher: Hachette Books
      Publication Date: 3/22/1976 12:00:00 AM
      ISBN13: 9780306800344, 978-0306800344
      ISBN10: 0306800349

      Description

      Book Synopsis
      Intended for the aspiring artist as well as the enthusiastic amateur, this invaluable guide to piano practice and performance covers every major aspect of pianistic technique. Drawing from more than forty years experience as a teacher and highly acclaimed performer,as well as from her studies with Rachmaninoff, Schnabel, and Cortot,Slenczynska clearly demonstrates such basics as the proper use of hand positions, fingering, pedaling, ornamentation, various fingering touches, and counting. She also gives detailed instructions on the art of program building, carefully analyzing the concert programs of Horowitz, Rubinstein, and Serkin and pointing out the strengths and weaknesses of their program construction. She includes repertoire lists for performance at various levels of ability, a complete chart of ornament interpretation, and authoritative advice on posture, sight-reading, rhythm, note-learning, and memorization. Her book is essential reading for all who enjoy in the piano-beginners

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