Description

Book Synopsis


Trade Review
“Illuminating music’s complex interactions with issues of nationalism and identity, this volume’s innovative exploration of diverse musical styles provides a model for rethinking musical nationalism, both within and beyond the Iberian Peninsula.”--Michael Christoforidis, author of Manuel de Falla and Visions of Spanish Music

Table of Contents
Acknowledgments

Introduction: Sounding Nation and Region in Portugal and Spain

Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, and Samuel Llano

Part I: Music, State Propaganda, and Authoritarian Regimes

Chapter 1: Patriotic, Nationalist, or Republican? The Portuguese National Anthem

Paulo Ferreira de Castro

Chapter 2: The Battle for the Greatest Musical Emblem: The National Anthem and the Symbolic Construction of Francoist Spain

Igor Contreras Zubillaga

Chapter 3: Portuguese Rural Traditions as Cultural Exports: How Modernism and Transnational Connections Shaped the New State’s Folklore Politics

Vera Marques Alves

Part II: Sound Technologies and the Nation

Chapter 4: Recording zarzuela grande in Spain in the Early Days of the Phonograph and Gramophone

Eva Moreda Rodríguez

Chapter 5: The Invisible Voices of the Early Recording Market in Portugal

Leonor Losa

Chapter 6: Radio, Popular Music, and Nationalism in Portugal in the 1940s

Pedro Moreira

Chapter 7: Protest Song and Recording in the Final Stages of the Estado Novo in Portugal (1960-74)

Hugo Castro

Part III: Negotiating the State, Nation, and Region

Chapter 8: Towards a Critical Approach to Flamenco Hybridity in Post-Franco Spain: Rock Music, Nation, and Heritage in Andalusia

Diego García-Peinazo

Chapter 9: Portuguese Rock or Rock in Portuguese?: Controversies Concerning the “Portugueseness” of Rock Music Made in Portugal in the Early-1980s

Ricardo Andrade

Chapter 10: Indie Music as a Controversial Space on Spanish Identity: Class, Youth, and Discontent

Héctor Fouce and Fernán del Val

Chapter 11: Catalonia vs Spain: How Sonorous is Nationalism?

Josep Martí

Part IV: Musical Heritagization and the State

Chapter 12: Intangible Cultural Heritage and State Regimes in Portugal and Spain

Salwa El-Shawan Castelo-Branco and Cristina Sánchez-Carretero

Chapter 13: Sounding the Alentejo: Portugal’s Cante as Heritage

Salwa El-Shawan Castelo-Branco

Chapter 14: Flamenco Heritage and the Politics of Identity

Cristina Cruces Roldán

Contributors

Index

Music and the Making of Portugal and Spain

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    A Paperback / softback by Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, Samuel Llano

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      Publisher: University of Illinois Press
      Publication Date: 24/10/2023
      ISBN13: 9780252087448, 978-0252087448
      ISBN10: 0252087445

      Description

      Book Synopsis


      Trade Review
      “Illuminating music’s complex interactions with issues of nationalism and identity, this volume’s innovative exploration of diverse musical styles provides a model for rethinking musical nationalism, both within and beyond the Iberian Peninsula.”--Michael Christoforidis, author of Manuel de Falla and Visions of Spanish Music

      Table of Contents
      Acknowledgments

      Introduction: Sounding Nation and Region in Portugal and Spain

      Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, and Samuel Llano

      Part I: Music, State Propaganda, and Authoritarian Regimes

      Chapter 1: Patriotic, Nationalist, or Republican? The Portuguese National Anthem

      Paulo Ferreira de Castro

      Chapter 2: The Battle for the Greatest Musical Emblem: The National Anthem and the Symbolic Construction of Francoist Spain

      Igor Contreras Zubillaga

      Chapter 3: Portuguese Rural Traditions as Cultural Exports: How Modernism and Transnational Connections Shaped the New State’s Folklore Politics

      Vera Marques Alves

      Part II: Sound Technologies and the Nation

      Chapter 4: Recording zarzuela grande in Spain in the Early Days of the Phonograph and Gramophone

      Eva Moreda Rodríguez

      Chapter 5: The Invisible Voices of the Early Recording Market in Portugal

      Leonor Losa

      Chapter 6: Radio, Popular Music, and Nationalism in Portugal in the 1940s

      Pedro Moreira

      Chapter 7: Protest Song and Recording in the Final Stages of the Estado Novo in Portugal (1960-74)

      Hugo Castro

      Part III: Negotiating the State, Nation, and Region

      Chapter 8: Towards a Critical Approach to Flamenco Hybridity in Post-Franco Spain: Rock Music, Nation, and Heritage in Andalusia

      Diego García-Peinazo

      Chapter 9: Portuguese Rock or Rock in Portuguese?: Controversies Concerning the “Portugueseness” of Rock Music Made in Portugal in the Early-1980s

      Ricardo Andrade

      Chapter 10: Indie Music as a Controversial Space on Spanish Identity: Class, Youth, and Discontent

      Héctor Fouce and Fernán del Val

      Chapter 11: Catalonia vs Spain: How Sonorous is Nationalism?

      Josep Martí

      Part IV: Musical Heritagization and the State

      Chapter 12: Intangible Cultural Heritage and State Regimes in Portugal and Spain

      Salwa El-Shawan Castelo-Branco and Cristina Sánchez-Carretero

      Chapter 13: Sounding the Alentejo: Portugal’s Cante as Heritage

      Salwa El-Shawan Castelo-Branco

      Chapter 14: Flamenco Heritage and the Politics of Identity

      Cristina Cruces Roldán

      Contributors

      Index

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