Description
Book SynopsisInventors in the age of the Enlightenment created lifelike androids capable of playing music on real instruments. Music and the Forms of Lifeexamines the link between such simulated life and music, which began in the era's scientific literature and extended into a series of famous musical works by Haydn, Mozart, and Beethoven. Music invented auditory metaphors for the scientific elements of life (drive, pulse, sensibility, irritability, even metabolism), investigated the affinities and antagonisms between life and mechanism, and explored questions of whether and how mechanisms can come to life. The resulting changes in the conceptions of both life and music had wide cultural resonance at the time, and those concepts continued to evolve long after. A critical part of that evolution was a nineteenth-century shift in focus from moving androids to the projection of life in motion, culminating in the invention of cinema. Weaving together cultural and musical practices, Lawrence Kramer tr
Table of ContentsContents
List of Musical Examples and Figures
Introduction: Music and the Life of Statues
1 • From Clockwork to Pulsation I: Intensity and Drive
2 • From Clockwork to Pulsation II: Action and Feeling
3 • From Clockwork to Pulsation III: Metabolism
4 • 1812 Overtures: Wellington’s Victory and Live Action
5 • “Dear Listener” . . . : Music and the Invention of Subjectivity
6 • Waltzing Specters: Life, Perception, and Ravel’s “La Valse”
7 • The Musical Biome
Epilogue: Sound and the Forms of Life
Notes
Index
