Description
Book SynopsisMusic and Temple Ritual in South India: Performing for Siva documents the musical practices of the periya me?am, a South Indian instrumental ensemble of professional musicians who perform during the rituals and festivals of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Siva an important patron of music since at least the tenth century. It explores the ways in which music and ritual are mutually constitutive, illuminating the cultural logics whereby performing and listening are integral to the kinetic, sensory and affective experiences that enable, shape and stimulate ritual communication in present-day devotional Hinduism. More than a rich and vivid ethnographic description of a local tradition, the book also develops a comprehensive and original analytical model, in which music is understood as both a situated and creative activity, and where the fluid relationship between humans and non-humans, in this case divine beings, is truly ta
Table of Contents
List of Illustrations
List of Audio Examples
Preface
1 Introduction
2 Temple Ritual and Image Worship
3 Musicians, from Past to Present
4 The Repertoire
5 Sound, Space and Divine Images
6 Musical Time vs. Ritual Time
7 Music, Emotion and Devotion
8 Conclusion
Glossary
Bibliography
