Description

Book Synopsis


Trade Review

This is an impressive and invaluable book, and one I am sure scholars from numerous fields will be citing for years to come.

* Music Theory Spectrum *

Highly recommended.

* Choice *

This book puts forth a beautiful account of what it's like to listen to music.

-- Elizabeth Margulis

One of the best studies on the role of conceptual metaphor in music comprehension and theory I've ever read.

-- Mark Johnson * author (with George Lakoff) of Philosophy in the Flesh: The Embodied Mind and Its Challenge to Weste *

Table of Contents

Acknowledgments
Part One: Theoretical Background
Introduction
1. Mimetic Comprehension
2. Mimetic Comprehension of Music
3. Metaphor and Related Means of Reasoning

Part Two: Spatial Conceptions
4. Pitch Height
5. Temporal Motion and Musical Motion
6. Perspectives on Musical Motion

Part Three: Beyond Musical Space
7. Music and the External Senses
8. Musical Affect
9. Applications
10. Review and Implications
Appendix I. Mimetic Subvocalization and Absolute Pitch
Appendix II. Levels of Abstraction Among Metaphors
Bibliography
Index

Music and Embodied Cognition Listening Moving

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£25.19

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RRP £27.99 – you save £2.80 (10%)

Order before 4pm today for delivery by Tue 23 Dec 2025.

A Paperback / softback by Arnie Cox

15 in stock


    View other formats and editions of Music and Embodied Cognition Listening Moving by Arnie Cox

    Publisher: Indiana University Press
    Publication Date: 01/08/2017
    ISBN13: 9780253032317, 978-0253032317
    ISBN10: 0253032318

    Description

    Book Synopsis


    Trade Review

    This is an impressive and invaluable book, and one I am sure scholars from numerous fields will be citing for years to come.

    * Music Theory Spectrum *

    Highly recommended.

    * Choice *

    This book puts forth a beautiful account of what it's like to listen to music.

    -- Elizabeth Margulis

    One of the best studies on the role of conceptual metaphor in music comprehension and theory I've ever read.

    -- Mark Johnson * author (with George Lakoff) of Philosophy in the Flesh: The Embodied Mind and Its Challenge to Weste *

    Table of Contents

    Acknowledgments
    Part One: Theoretical Background
    Introduction
    1. Mimetic Comprehension
    2. Mimetic Comprehension of Music
    3. Metaphor and Related Means of Reasoning

    Part Two: Spatial Conceptions
    4. Pitch Height
    5. Temporal Motion and Musical Motion
    6. Perspectives on Musical Motion

    Part Three: Beyond Musical Space
    7. Music and the External Senses
    8. Musical Affect
    9. Applications
    10. Review and Implications
    Appendix I. Mimetic Subvocalization and Absolute Pitch
    Appendix II. Levels of Abstraction Among Metaphors
    Bibliography
    Index

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