Description
Book SynopsisCritically examining the notion of world religions', Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions.Raising important questions about religion and secularity, museum displays and religious piety,
Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and s
Table of ContentsPreface and Acknowledgements
Part I: Displaying the Divine: Religious Objects and Comparison 1. Comparative Religion and World Religions Museums 2. The Body of God and the Matter of Religion
Part II: Five Museums of World Religions 3. The Numinous in Marburg: Rudolf Otto’s Religionskundliche Sammlung 4. Atheism, Science, and the History of Religions: St. Petersburg’s State Museum of the History of Religions 5. Religion and Local Knowledge: Québec’s Le Musée Des Religions du Monde 6. A Dialogical Museum: The Sacred Gaze and the St. Mungo Museum of Religious Life and Art 7. A Religious Museum: The Museum of World Religions in Taipei Conclusion: Rethinking Museums of Religions Bibliography Index
