Description

Book Synopsis
"Rachel Zucker may be Generation X's likeliest heir to the confessional legacy of Sylvia Plath, Louise Gluck, and Sharon Olds."-The Believer Rending the terrorizing forces of modern existence from abstraction and placing them directly in our laps, Museum of Accidents is a brutally honest epic of domestic proportions. Rachel Zucker is the author of three collections of poetry and co-editor of Women Poets on Mentorship: Efforts and Affections. A graduate of the Iowa Writer's Workshop, she currently lives in New York City with her husband and three sons, where she is a certified labor doula.

Trade Review
Praise for Previous Work: "Rachel Zucker may be Generation X's likeliest heir to the confessional legacy of Sylvia Plath, Louise Gluck, and Sharon Olds. At her best, she matches desperate, pained self-revelation with breakneck lines that spill in and out of long-lined verse and writhing prose." -The Believer

Museum of Accidents

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    Order before 4pm tomorrow for delivery by Wed 19 Aug 2026.

    A Paperback / softback by Rachel Zucker

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      Publisher: Wave Books
      Publication Date: Publication Date: 15/10/2009
      ISBN13: 9781933517421, 978-1933517421
      ISBN10: 1933517425

      Description

      Book Synopsis
      "Rachel Zucker may be Generation X's likeliest heir to the confessional legacy of Sylvia Plath, Louise Gluck, and Sharon Olds."-The Believer Rending the terrorizing forces of modern existence from abstraction and placing them directly in our laps, Museum of Accidents is a brutally honest epic of domestic proportions. Rachel Zucker is the author of three collections of poetry and co-editor of Women Poets on Mentorship: Efforts and Affections. A graduate of the Iowa Writer's Workshop, she currently lives in New York City with her husband and three sons, where she is a certified labor doula.

      Trade Review
      Praise for Previous Work: "Rachel Zucker may be Generation X's likeliest heir to the confessional legacy of Sylvia Plath, Louise Gluck, and Sharon Olds. At her best, she matches desperate, pained self-revelation with breakneck lines that spill in and out of long-lined verse and writhing prose." -The Believer

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