Description

Book Synopsis
MUSEUM MEDIA Edited by Michelle Henning Museum Media explores the contemporary uses of diverse media in museum contexts and discusses how technology is reinventing the museum. It considers how technological changesfrom photography and television through to digital mobile mediahave given rise to new habits, forms of attention and behaviors. It explores how research methods can be used to understand people's relationships with media technologies and display techniques in museum contexts, as well as the new opportunities media offer for museums to engage with their visitors. Entries written by leading experts examine the transformation of history and memory by new media, the ways in which exhibitions mediate visitor experience, how designers and curators can establish new kinds of relationships with visitors, the expansion of the museum beyond its walls and its insertion into a wider commercial and corporate landscape. Focusing on formal, theoretical and technical aspects of exhibition

Table of Contents

List of Illustrations ix

Editor xiii

General Editors xiv

Contributors xv

Acknowledgments xvii

General Editors’ Preface to Museum Studies and the International Handbooks of Museum Studies xix

Museum Media: An Introduction xxvii
Michelle Henning

Part I The Museum as Medium 1

1 Museums and Media Archaeology: An Interview with Wolfgang Ernst 3
Michelle Henning

2 Media Archaeology of/in the Museum 23
Andrew Hoskins and Amy Holdsworth

3 Museums and the Challenge of Transmediation: The Case of Bristol’s Wildwalk 43
Nils Lindahl Elliot

4 Mediatized Memory: Video Testimonies in Museums 69
Steffi de Jong

5 Visible and Invisible Institutions: Cinema in the French Art Museum 95
Jenny Chamarette

6 The Museum as TV Producer: Televisual Form in Curating, Commissioning, and Public Programming 121
Maeve Connolly

7 SimKnowledge: What Museums Can Learn from Video Games 145
Seth Giddings

Part II Mediation and Immersion 165

8 The Life of Things 167
Ivan Gaskell

9 Lighting Practices in Art Galleries and Exhibition Spaces, 1750–1850 191
Alice Barnaby

10 There’s Something in the Air: Sound in the Museum 215
Rupert Cox

11 Aesthetics and Atmosphere in Museums: A Critical Marketing Perspective 235
Brigitte Biehl‐Missal and Dirk vom Lehn

12 Museums, Interactivity, and the Tasks of “Exhibition Anthropology” 259
Erkki Huhtamo

13 Keeping Objects Live 279
Fiona Candlin

Part III Design and Curating in the Media Age 303

14 Total Media 305
Peter Higgins

15 From Object to Environment: The Recent History of Exhibitions in Germany and Austria 327
Bettina Habsburg‐Lothringen [Translated by Mark Miscovich]

16 Museums as Spaces of the Present: The Case for Social Scenography 349
Beat Hachler [Translated by Niall Hoskin]

17 (Dis)playing the Museum: Artifacts, Visitors, Embodiment, and Mediality 371
Karin Harrasser

18 Transforming the Natural History Museum in London: Isotype and the New Exhibition Scheme 389
Sue Perks

19 Embodiment and Place Experience in Heritage Technology Design 419
Luigina Ciolfi

Part IV Extending the Museum 447

20 Open and Closed Systems: New Media Art in Museums and Galleries 449
Beryl Graham

21 Diffused Museums: Networked, Augmented, and Self‐Organized Collections 473
John Bell and Jon Ippolito

22 Mobile in Museums: From Interpretation to Conversation 499
Nancy Proctor

23 Moving Out: Museums, Mobility, and Urban Spaces 527
Mark W. Rectanus

24 Beyond the Glass Case: Museums as Playgrounds for Replication 553
Petra Tjitske Kalshoven

25 With and Without Walls: Photographic Reproduction and the Art Museum 577
Michelle Henning

26 The Elastic Museum: Cinema Within and Beyond 603
Haidee Wasson

Index 629

Museum Media

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    A Paperback / softback by Michelle Henning

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 20/02/2020
      ISBN13: 9781119642022, 978-1119642022
      ISBN10: 1119642027

      Description

      Book Synopsis
      MUSEUM MEDIA Edited by Michelle Henning Museum Media explores the contemporary uses of diverse media in museum contexts and discusses how technology is reinventing the museum. It considers how technological changesfrom photography and television through to digital mobile mediahave given rise to new habits, forms of attention and behaviors. It explores how research methods can be used to understand people's relationships with media technologies and display techniques in museum contexts, as well as the new opportunities media offer for museums to engage with their visitors. Entries written by leading experts examine the transformation of history and memory by new media, the ways in which exhibitions mediate visitor experience, how designers and curators can establish new kinds of relationships with visitors, the expansion of the museum beyond its walls and its insertion into a wider commercial and corporate landscape. Focusing on formal, theoretical and technical aspects of exhibition

      Table of Contents

      List of Illustrations ix

      Editor xiii

      General Editors xiv

      Contributors xv

      Acknowledgments xvii

      General Editors’ Preface to Museum Studies and the International Handbooks of Museum Studies xix

      Museum Media: An Introduction xxvii
      Michelle Henning

      Part I The Museum as Medium 1

      1 Museums and Media Archaeology: An Interview with Wolfgang Ernst 3
      Michelle Henning

      2 Media Archaeology of/in the Museum 23
      Andrew Hoskins and Amy Holdsworth

      3 Museums and the Challenge of Transmediation: The Case of Bristol’s Wildwalk 43
      Nils Lindahl Elliot

      4 Mediatized Memory: Video Testimonies in Museums 69
      Steffi de Jong

      5 Visible and Invisible Institutions: Cinema in the French Art Museum 95
      Jenny Chamarette

      6 The Museum as TV Producer: Televisual Form in Curating, Commissioning, and Public Programming 121
      Maeve Connolly

      7 SimKnowledge: What Museums Can Learn from Video Games 145
      Seth Giddings

      Part II Mediation and Immersion 165

      8 The Life of Things 167
      Ivan Gaskell

      9 Lighting Practices in Art Galleries and Exhibition Spaces, 1750–1850 191
      Alice Barnaby

      10 There’s Something in the Air: Sound in the Museum 215
      Rupert Cox

      11 Aesthetics and Atmosphere in Museums: A Critical Marketing Perspective 235
      Brigitte Biehl‐Missal and Dirk vom Lehn

      12 Museums, Interactivity, and the Tasks of “Exhibition Anthropology” 259
      Erkki Huhtamo

      13 Keeping Objects Live 279
      Fiona Candlin

      Part III Design and Curating in the Media Age 303

      14 Total Media 305
      Peter Higgins

      15 From Object to Environment: The Recent History of Exhibitions in Germany and Austria 327
      Bettina Habsburg‐Lothringen [Translated by Mark Miscovich]

      16 Museums as Spaces of the Present: The Case for Social Scenography 349
      Beat Hachler [Translated by Niall Hoskin]

      17 (Dis)playing the Museum: Artifacts, Visitors, Embodiment, and Mediality 371
      Karin Harrasser

      18 Transforming the Natural History Museum in London: Isotype and the New Exhibition Scheme 389
      Sue Perks

      19 Embodiment and Place Experience in Heritage Technology Design 419
      Luigina Ciolfi

      Part IV Extending the Museum 447

      20 Open and Closed Systems: New Media Art in Museums and Galleries 449
      Beryl Graham

      21 Diffused Museums: Networked, Augmented, and Self‐Organized Collections 473
      John Bell and Jon Ippolito

      22 Mobile in Museums: From Interpretation to Conversation 499
      Nancy Proctor

      23 Moving Out: Museums, Mobility, and Urban Spaces 527
      Mark W. Rectanus

      24 Beyond the Glass Case: Museums as Playgrounds for Replication 553
      Petra Tjitske Kalshoven

      25 With and Without Walls: Photographic Reproduction and the Art Museum 577
      Michelle Henning

      26 The Elastic Museum: Cinema Within and Beyond 603
      Haidee Wasson

      Index 629

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