Description
Book SynopsisTrade Review"Albert Murray is . . . an authority on soul from the days of old . . . and commands respect. He doesn't have to look it up. If you want to know, look him up. He is the unsquarest person I know."—Duke Ellington
"Like Barthes and Bazin, Murray is a truly original thinker . . . Murray Talks Music is irresistibly stimulating." —The New Yorker
"The name Albert Murray was never household familiar. Yet his complex, mind-opening analysis of art and life remains as timely as ever—probably more so. Devlin’s book is both a public service and a testament to how Murray could impress and inspire those who came in contact with him."—The Nation
"Insightful." —New York Times
"Murray Talks Music bears indelible witness to the writer’s role in elevating both jazz itself and the scholarship surrounding the music." —JazzTimes
"Murray is rare touchstone writer for jazz. Indeed, there’s an argument that the later career of Wynton Marsalis and the entire edifice of Jazz at Lincoln Center is founded on Murray’s work. This is the only case of a major jazz musician treating the work of a major jazz writer with such reverence."—Ethan Iverson, DO THE M@TH
"A compelling and comprehensive work, which will no doubt make Murrayites of us all."—DownBeat
"Before Murray Talks Music, there was little in print of Albert Murray as spontaneous orator. This new collection corrects that problem and shows how brilliant he could be even when he didn’t have time to polish his prose."—The Arts Fuse
"Murray Talks: Albert Murray on Jazz and Blues is further testimony to the fact that Murray was a charming character and a determined thinker. It is a fascinating edition to the Murray canon." —Living Blues
"The freewheeling give-and-take in Murray Talks Music is robust and colorful. In conversation, Murray was even more of a paradigmatic jazzman in his spontaneous digressions and in his ability to call on a breathtaking range of resources and references." —Bookforum
"If Allan Bloom was right that 'this is the age of music and the states of soul that accompany it,' then Albert Murray is a guide for our time. Against this backdrop, we can appreciate the posthumous publication of Murray’s work." —The Weekly Standard
Table of ContentsContents
Foreword: St. George and the Blues
Gary Giddins
Acknowledgments
Introduction. Albert Murray: Talking the Blues and So Much More
Paul Devlin
1. Interview with Wynton Marsalis
2. Interview with Dizzy Gillespie
3. Interview with Dan Minor
4. Interview with Greg Thomas
5. A Talk at St. John’s University (with Paul Devlin)
6. Interview with Russell Neff
7. Liner Notes to Revelations and Blues Suite
8. Murray’s Note on The Second Line and The Third Line
9. Foreword to The World Don’t Owe Me Nothing: The Life and Times of Delta Bluesman Honeyboy Edwards
10. Foreword to Mitchell & Ruff: An American Profile in Jazz
11. Interview with Paul Devlin
12. Murray’s 1958 Morocco Lecture Notes (translated by Lauren Walsh)
13. Biographical Sketch of Count Basie
14. Interview with Susan Page
15. Interview with Robert G. O’Meally
16. A Discussion of Duke Ellington with Loren Schoenberg and Stanley Crouch
17. Jazz: Notes Toward a Definition
Afterword: The Blues and Jazz as Aesthetic Statement
Greg Thomas
Appendix 1: Albert Murray’s Canon of Jazz Arrangements
Appendix 2: American Patterns and Variations on Rhythm and Tune: An Ellington-Strayhorn List
Notes
Index
