Description
Book SynopsisExamines the technical advances which allowed Edvard Munch to create an entirely new visual language.
Table of ContentsIntroduction: Giulia Bartrum Chapter 1: Edvard Munch and the artists of La Revue Blanche: promoting prints in late 19th-century French avant-garde journals, by Jennifer Ramkalawon Chapter 2: L’Ymagier, Munch and the woodcut technique, by Ute Kuhlemann-Falck Chapter 3: Eugène Carrière and Max Klinger: two Symbolist printmakers within the orbit of Munch, by Anna Schultz Chapter 4: Sick prints, by Allison Morehead Chapter 5: There and not-there: Edvard Munch’s interruptions, by Patricia G. Berman Bibliography Index