Description

Book Synopsis
Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project, was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on such topics as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are presented in this online publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world.

Mummy Portraits of Roman Egypt - Emerging

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    A Paperback / softback by Marie Svoboda, Caroline Cartwright

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      Book details

      Publisher Getty Trust Publications
      Published 29 September 2020
      ISBN-13 9781606066546
      978-1606066546
      ISBN-10 1606066544
      Also in:
      Art & Photography Conservation and resto History of art History Ancient history

      Description

      Book Synopsis
      Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project, was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on such topics as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are presented in this online publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world.

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