Description
Book SynopsisReflecting academic interests in nation, race, gender, sexuality and other axes of identity, this text gathers these concerns under the same umbrella, contending that these issues must be discussed in relation to each other because communities, societies and nations do not exist autonomously.
Table of ContentsAcknowledgments , , , ,
Introduction , , , ,
, Ella Shohat ,
,
, Robert Stam ,
,
, Fanon, Algeria, and the Cinema: The Politics of Identification ,
, , , ,
, Robert Stam ,
,
, Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement ,
, , , ,
, Peter Bloom ,
,
, Dances With Wolves ,
, , , ,
, Edward D. Castillo ,
,
, Screen Memories and Entangled Technologies: Resignifying Indigenous Lives ,
, , , ,
, Faye Ginsburg ,
,
, ``Train of Shadows'': Early Cinema and Modernity in Latin America ,
, , , ,
, Ana M. Lopez ,
,
, Oedipus Tex/Oedipus Mex: Triangulations of Paternity, Race, and Nation in John Sayles's Lone Star ,
, , , ,
, Julianne Burton-Carvajal ,
,
, Emigrants Twice Displaced: Race, Color, and Identity in Mira Nair's Mississippi Masala ,
, , , ,
, Binita Mehta ,
,
, Itineraries of Indian Cinema: African Videos, Bollywood, and Global Media ,
, , , ,
, Brian Larkin ,
,
, The ``I'' Narrator in Black Diaspora Documentary ,
, , , ,
, Manthia Diawara ,
,
, Phobic Spaces and Liminal Panics: Independent Transnational Film Genre ,
, , , ,
, Hamid Naficy ,
,
, ``My Name is Forrest, Forrest Gump'': Whiteness Studies and the Paradox of Particularity ,
, , , ,
, Robyn Wiegman ,
,
, Warrior Marks: Global Womanism's Neo-Colonial Discourse in a Multicultural Context ,
, , , ,
, Inderpal Grewal ,
,
, Caren Kaplan ,
,
, Multiculturalism, Dictatorship, and Cinema Vanguards: Philippine and Brazilian Analogies ,
, , , ,
, Talitha Espiritu ,
,
, The Appended Subject: Race and Identity as Digital Assemblage ,
, , , ,
, Jennifer Gonzalez ,
,
Contributors , , , ,
Index , , ,
