Description
Book SynopsisThe works of Argentine writer Silvina Ocampo (1903–93) are enjoying unprecedented attention from international scholars, writers, journalists, translators and film directors. This book explores the reason for the growing interest, and how it connects with her transgressive representations of motherhood and childhood. By overlapping themes from past scholarship (such as childhood, gender representations, the fantastic and sexuality), new and diverse issues intersect, contradict or revise previous interpretations of Ocampo’s works and her place in Argentine letters. Specifically, the much-overlooked mother/child dyad will offer a unique vantage point for this volume, bringing to the surface disparities concerning age, gender, sexuality, knowledge, agency and voice, often ignored or minimised in theoretical frameworks and popular narratives. This focus on the spaces of motherhood and childhood maps out Ocampo’s consistent refusal to prioritise one space over another, or to legitimise one voice over another, which highlights a radical theorisation of subjectivities in flux.
Table of ContentsAcknowledgments Illustrations Introduction: Silvina Ocampo Today Section I: Mater Chapter 1: Introductory Remarks on Motherhood Chapter 2: The Dead Mother in ‘Rhadamanthos’ Chapter 3: The (Pro)Creative Mother in ‘El cuaderno’ Chapter 4: The Absent Egotistical Mother in ‘Las invitadas’ Chapter 5: The Mercenary Mother in ‘La furia’ Chapter 6: The GenderBending Mother of ‘Santa Teodora’ Chapter 7: Concluding Remarks on Motherhood Section II: Filius Chapter 8: Introductory Remarks on Childhood Chapter 9: Childhood as a Race in ‘La raza inextinguible’ Chapter 10: Childhood in Reverse: ‘Cartas confidenciales’ Chapter 11: Childhood Rebellion in ‘La hija del toro’ Chapter 12: The Spatial Organization of Rape in ‘El pecado mortal’ Chapter 13: Concluding Remarks on Childhood Conclusion: Mapping the Final Portrait of Mater et Filius Bibliography Index
