Description
Book SynopsisA powerful examination of the unsettling history of photography and its fraught relationship to global antiblackness.Since photography’s invention, black life has been presented as fraught, short, agonizingly filled with violence, and indifferent to intervention: living death—
mortevivum—in a series of still frames that refuse a complex humanity. In
Mortevivum, Kimberly Juanita Brown shows us how the visual logic of documentary photography and the cultural legacy of empire have come together to produce the understanding that blackness and suffering—and death—are inextricable. Brown traces this idea from the earliest images of the enslaved to the latest newspaper photographs of black bodies, from the United States and South Africa to Haiti and Rwanda, documenting the enduring, pernicious connection between photography and a global history of antiblackness.
Photography's history, inextricably linked to colonialism and white
