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Book Synopsis

This accessible and meticulously researched book is a philosophical study dedicated to the psychoanalytic dimension of the uncanny, and the discussions on monstrosity as fundamental concepts to address contemporary experiences of anguish, desire, suffering and alienation.

Examining the uncanny in Freud and Lacan, the book explores its emergence through psychoanalysis and aesthetics, as well as its meta-psychological implications. Chapters in this book explore the history and connection between the uncanny and monstrosity in both philosophy and psychoanalysis, following on from the construction of Freud's 'The Uncanny' in 1919, and focusing on these concepts through different perspectives, such as Marxism.

Offering new insights and arguments on these fascinating concepts, this book will be of interest to philosophers, psychoanalysts and psychologists, as well as appealing to professionals and students in the worlds of arts, film and history.

Monstrosity and the Psychoanalytic Dimensions of

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    A Paperback by Rodrigo Gonsalves

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      Publisher: Taylor & Francis
      Publication Date: 9/12/2025
      ISBN13: 9781032568881, 978-1032568881
      ISBN10: 1032568887
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      Media studies

      Description

      Book Synopsis

      This accessible and meticulously researched book is a philosophical study dedicated to the psychoanalytic dimension of the uncanny, and the discussions on monstrosity as fundamental concepts to address contemporary experiences of anguish, desire, suffering and alienation.

      Examining the uncanny in Freud and Lacan, the book explores its emergence through psychoanalysis and aesthetics, as well as its meta-psychological implications. Chapters in this book explore the history and connection between the uncanny and monstrosity in both philosophy and psychoanalysis, following on from the construction of Freud's 'The Uncanny' in 1919, and focusing on these concepts through different perspectives, such as Marxism.

      Offering new insights and arguments on these fascinating concepts, this book will be of interest to philosophers, psychoanalysts and psychologists, as well as appealing to professionals and students in the worlds of arts, film and history.

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