Description

The work of the experimental filmmaker Lutz Mommartz (*1934) has been shaking up the art and film community for more than 50 years. Ever since he embarked on his career as an artist in the 1960s, Mommartz has been thinking out of the box. Rejecting the clichés of the movie industry, he aimed to bring about a radical new beginning of film with a focus on aesthetic and social goals. In 1967, he soared to the top of the German avantgarde as a self-taught filmmaker after his surprising success at the renowned experimental film festival in Knokke, Belgium. Not only was he one of the founding members of the legendary Creamcheese bar populated by artists, but he also participated in influential festivals and exhibitions such as the documenta 4 (1968). From this time onward, he belonged to the circle of filmmakers who pressed ahead with the other cinema against the mainstream film industry and promoted alternative distribution systems.

In 1975, Mommar

mommartzfilm 19642020

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The work of the experimental filmmaker Lutz Mommartz (*1934) has been shaking up the art and film community for more... Read more

    Publisher: DruckVerlag Kettler
    Publication Date: 01/08/2021
    ISBN13: 9783862068555, 978-3862068555
    ISBN10: 3862068552

    Non Fiction , Art & Photography

    Description

    The work of the experimental filmmaker Lutz Mommartz (*1934) has been shaking up the art and film community for more than 50 years. Ever since he embarked on his career as an artist in the 1960s, Mommartz has been thinking out of the box. Rejecting the clichés of the movie industry, he aimed to bring about a radical new beginning of film with a focus on aesthetic and social goals. In 1967, he soared to the top of the German avantgarde as a self-taught filmmaker after his surprising success at the renowned experimental film festival in Knokke, Belgium. Not only was he one of the founding members of the legendary Creamcheese bar populated by artists, but he also participated in influential festivals and exhibitions such as the documenta 4 (1968). From this time onward, he belonged to the circle of filmmakers who pressed ahead with the other cinema against the mainstream film industry and promoted alternative distribution systems.

    In 1975, Mommar

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