Description
Book SynopsisOf all the playwrights from the age of Louis XIV, only Molière’s work is still regularly performed in France and beyond. This book analyses certain elements of the plays that may explain Molière’s longevity: a plausible chain of events peppered with shocks and surprises; tensions between opposites; intellectual concerns that had not previously been the province of comedy; and plots founded on situations that are anything but comic. These hallmarks added up to an intense type of comic theatre, meaningful in ways that gave the genre a new dimension. The author of this study does not treat Molière’s plays as variations on a single prototype, but brings a fresh approach to each. The book’s witty, learned and penetrating readings examine critical issues such as the ambiguous anti-feminism of
Les Femmes savantes, Molière’s revisions of the myth of Don Juan, ‘conversion’ as the theological starting point of
Le Tartuffe, contrariety as the basis of comedies such as
George Dandin and
Le Misanthrope, and coded satire in the
comédie-ballets. Each play is revealed to have a seamless comic design, while at the same time speaking to the wider world. Molière’s works are shown to be entirely and immediately involved in human society, in the social dimension of the human condition.
Table of ContentsContents:
George Dandin, ou le mari confondu – Literary Sources of
George Dandin : La Jalousie du barbouillé –
Dom Juan, ou le Festin de Pierre –
Le Loup et l’Agneau by La Fontaine: Molière’s Endings –
Le Misanthrope – Delaying Tactics in a
Caractère by La Bruyère – Molière’s Two Funniest Scenes – Sex, Philosophy and Other Problems in
Les Femmes savantes –
Le Tartuffe, Act I: Conversion –
Le Tartuffe, Acts II-V: Seduction – Hierarchy,
Comédie-ballet, the Ballets of
George Dandin – The Musical and Spoken Prologues of
Le Malade imaginaire – Molière’s Titles,
Vraisemblance, Surprise – Act I: Male Authority, Comic Manoeuvres, Toinette – Act II: Structure as Rite, Marriage as Medicine – Act III: Philosophical Centre and Theatrical Crisis –
Troisième Intermède: Music, Dance, Medicine.
