Description

Book Synopsis


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Retracing the life and times of the Alphorn, from the Alps of Switzerland and Germany to the Netherlands and Japan, this fascinating book shows how often “traditional” instruments grow and expand their reach beyond their land of origin. It has been studied for years how people migrate and carry along their bag of musical memories, and it has been largely understood how regional repertoires themselves are often capable of disengaging from their native surroundings and become transnational. Charlotte Vignau helps us further understand how single musical instruments, even those that originally support a strong national and regional identity, are potential migrants; and may find a second lease of life in the hands of people who are culturally remote from their original habitat. Indeed, through the Alphorn, Charlotte Vignau offers a wide angle picture of how rich and complex the world of music really is today. This is a book for anyone interested in the musics of the world, and in the processes of culture contact and exchange. -- Marcello Sorce Keller, Institut für Musikwissenschaft, Universität Bern
Dr. Vignau takes what might seem to be an instrumental curiosity and weaves around it a riveting web of inquiries about such things as nationalism, film, language, romanticism, ethnography and ultimately, the beauty of sound. A tour de force! -- Michael Beckerman, Carroll and Milton Petrie Professor of Music, New York University
This study combines ethnomusicological cultural analysis and interpretation with emphases on history and comparison taken from cultural musicology. The result is a systematic and convincing narrative, explicated rationales, respectful and fruitful relationship with interlocutors, and as objective as possible conclusions, which may be, perhaps, recognized as an exemplary offspring of how ethnomusicology is done in the EU context. * International Review of the Aesthetics and Sociology of Music *

Table of Contents
Introduction Chapter 1: The Alphorn, Alphorn Performance and Alphorn Music: A National Symbol of Switzerland? Chapter 2: On Video and Film in Ethnomusicology Chapter 3: The Migration of the Alphorn Phenomenon Three Case Studies: Allgäu, the Netherlands and Japan Appendix A: Motivation of Selected Shots Appendix B: Field Research

Modernity Complex Societies and the Alphorn

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    A Hardback by Charlotte Vignau

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      View other formats and editions of Modernity Complex Societies and the Alphorn by Charlotte Vignau

      Publisher: Lexington Books
      Publication Date: 2/14/2013 12:00:00 AM
      ISBN13: 9780739167977, 978-0739167977
      ISBN10: 0739167979

      Description

      Book Synopsis


      Trade Review
      Retracing the life and times of the Alphorn, from the Alps of Switzerland and Germany to the Netherlands and Japan, this fascinating book shows how often “traditional” instruments grow and expand their reach beyond their land of origin. It has been studied for years how people migrate and carry along their bag of musical memories, and it has been largely understood how regional repertoires themselves are often capable of disengaging from their native surroundings and become transnational. Charlotte Vignau helps us further understand how single musical instruments, even those that originally support a strong national and regional identity, are potential migrants; and may find a second lease of life in the hands of people who are culturally remote from their original habitat. Indeed, through the Alphorn, Charlotte Vignau offers a wide angle picture of how rich and complex the world of music really is today. This is a book for anyone interested in the musics of the world, and in the processes of culture contact and exchange. -- Marcello Sorce Keller, Institut für Musikwissenschaft, Universität Bern
      Dr. Vignau takes what might seem to be an instrumental curiosity and weaves around it a riveting web of inquiries about such things as nationalism, film, language, romanticism, ethnography and ultimately, the beauty of sound. A tour de force! -- Michael Beckerman, Carroll and Milton Petrie Professor of Music, New York University
      This study combines ethnomusicological cultural analysis and interpretation with emphases on history and comparison taken from cultural musicology. The result is a systematic and convincing narrative, explicated rationales, respectful and fruitful relationship with interlocutors, and as objective as possible conclusions, which may be, perhaps, recognized as an exemplary offspring of how ethnomusicology is done in the EU context. * International Review of the Aesthetics and Sociology of Music *

      Table of Contents
      Introduction Chapter 1: The Alphorn, Alphorn Performance and Alphorn Music: A National Symbol of Switzerland? Chapter 2: On Video and Film in Ethnomusicology Chapter 3: The Migration of the Alphorn Phenomenon Three Case Studies: Allgäu, the Netherlands and Japan Appendix A: Motivation of Selected Shots Appendix B: Field Research

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