Description
Book SynopsisModernity between Wagner and Nietzsche analyzes the operas and writings of Wagner in order to prove that the ideas on which they are based contradict and falsify the values that are fundamental to modernity. This book also analyzes the ideas that are central to the philosophy of Nietzsche, demonstrating that the values on the basis of which he breaks with Wagner and repudiates their common mentor, Schopenhauer, are those fundamental to modernity. Brayton Polka makes use of the critical distinction that Kierkegaard draws between Christianity and Christendom. Christianity represents what Nietzsche calls the faith that is presupposed in unconditionally willing the truth in saying yes to life. Christendom, in contrast, represents the bad faith of nihilism in saying no to life. Polka then shows that Wagner, in following Schopenhauer, represents Christendom with the demonstration in his operas that life is nothing but death and death is nothing but life. In other words, the purpose of the wi
Trade ReviewPassionately and accessibly written, Brayton Polka's new book offers a bracing challenge to the prevailing view of Wagner and Nietzsche as the twin-progenitors of aesthetic modernism. Sharply critical of Wagner's 'falsification of the values that...constitute modernity,' Polka's study drives a sharp wedge between the musical 'master' and his one-time devotee. Eschewing a strictly immanent view of Wagner's revolutionary aesthetic, Polka's new study helpfully draws attention to modernism's deep philosophical and religious sources. -- Thomas Pfau, Duke University
Table of ContentsChapter 1: Introduction Chapter 2: Wagner’s Ring: Life Redeemed in Death – Love’s Sacrifice of Life to Death Chapter 3: Tristan und Isolde: Life Redeemed In Death – Love’s Sacrifice of Life in Death Chapter 4: Parsifal: Life Redeemed in Death - Love’s Sacrifice of Life through Death Chapter 5: Postlude Recapitulated as Prelude in Nietzsche: Ecce Homo! Chapter 6: Conclusion: Modernity as Biblical Consonance
