Description

Book Synopsis
With extensive ethnographic and archival work, this book analyzes the works of Carlos Vives and La Provincia, the most influential artists of Colombia’s music scene in the last twenty-five years, to uncover the basis of the Land of Oblivion, a musical and literary metaphor for Colombia’s national identity.

Table of Contents
Acknowledgments

Introduction



Part I: Concepts and Context



Chapter 1: Conceptual Aspects

Chapter 2: Travel Itineraries: The Eight Albums



Part II: Analysis of the Production Process



Chapter 3: The Sonic and the Musical

Chapter 4: Texts, Images, and Mise-en-Scène



Part III: Echoes



Chapter 5: Carlos Vives and La Provincia “On the Air”: Youth-Oriented Radio Stations

Chapter 6: Some Appropriations: “New” Columbian Music and Tropipop

Chapter 7: Conclusions

Epilogue

Appendix: Methodological, Technical, and Ethical Aspects

Works Cited

About the Authors

Modernity and Colombian Identity in the Music of

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    A Hardback by Manuel Sevilla, Juan Sebastián Ochoa, Carolina Santamaría-Delgado

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      Publisher: Lexington Books
      Publication Date: 24/07/2020
      ISBN13: 9781793621412, 978-1793621412
      ISBN10: 1793621411

      Description

      Book Synopsis
      With extensive ethnographic and archival work, this book analyzes the works of Carlos Vives and La Provincia, the most influential artists of Colombia’s music scene in the last twenty-five years, to uncover the basis of the Land of Oblivion, a musical and literary metaphor for Colombia’s national identity.

      Table of Contents
      Acknowledgments

      Introduction



      Part I: Concepts and Context



      Chapter 1: Conceptual Aspects

      Chapter 2: Travel Itineraries: The Eight Albums



      Part II: Analysis of the Production Process



      Chapter 3: The Sonic and the Musical

      Chapter 4: Texts, Images, and Mise-en-Scène



      Part III: Echoes



      Chapter 5: Carlos Vives and La Provincia “On the Air”: Youth-Oriented Radio Stations

      Chapter 6: Some Appropriations: “New” Columbian Music and Tropipop

      Chapter 7: Conclusions

      Epilogue

      Appendix: Methodological, Technical, and Ethical Aspects

      Works Cited

      About the Authors

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