Description

Book Synopsis
Offering essays from some of the leading academic writers and younger scholars in the field of American studies from both the United States and Europe, this volume constitutes a rich and varied reconsideration of Modernist American poetry. Its contributions fall into two general categories: new and original discussions of many of the principal figures of the movement (Frost, Pound, Eliot, Williams, Cummings and Stevens) and reflections on the phenomenon of Modernism within a broader cultural context (the influence of Haiku, parallels and connections with Surrealism, responses to the Modernist accomplishment by later American poets). Because of its mixture of European and American perspectives, Modernism Revisited will be of vital interest to students and scholars of American literature and Modernism in general and of twentieth-century comparative literature and art.

Table of Contents
Acknowledgements Paul Scott DERRICK: Introduction I. Reflections on Modernity: The Aura of Modernism Marjorie PERLOFF: The Aura of Modernism II. Transgressing Boundaries: Some Modernists Revisited Barry AHEARN: Frost’s Sonnets, In and Out of Bounds Hélène AJI: Pound and Williams: The Letters as Modernist Manifesto Zhaoming QIAN: Pao-hsien Fang and the Naxi Rites in Ezra Pound’s Cantos Viorica PATEA: T. S. Eliot’s The Waste Land and the Poetics of the Mythical Method Isabelle ALFANDARY: Poetry as Ungrammar in E. E. Cummings’ Poems Bart EECKHOUT: Wallace Stevens’ Poetry of Resistance III. Strategies of Renewal: Modernism in a Broader Context Gudrun M. GRABHER: In Search of Words for “Moon-Viewing”: The Japanese Haiku and the Skepticism towards Language in Modernist American Poetry Ernesto SUÁREZ-TOSTE: Spontaneous, not Automatic: William Carlos Williams versus Surrealist Poetics Manuel BRITO: Instances of the Journey Motif through Language and Selfhood in some Modernist American Poets Heinz ICKSTADT: For Love and Language: The Poetry of Robert Creeley Charles ALTIERI: Modernist Realism and Lowell’s Confessional Style Notes on Contributors Index

Modernism Revisited: Transgressing Boundaries and Strategies of Renewal in American Poetry

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    A Hardback by Viorica Patea, Paul Scott Derrick

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      Publisher: Brill
      Publication Date: 01/01/2007
      ISBN13: 9789042022638, 978-9042022638
      ISBN10:

      Description

      Book Synopsis
      Offering essays from some of the leading academic writers and younger scholars in the field of American studies from both the United States and Europe, this volume constitutes a rich and varied reconsideration of Modernist American poetry. Its contributions fall into two general categories: new and original discussions of many of the principal figures of the movement (Frost, Pound, Eliot, Williams, Cummings and Stevens) and reflections on the phenomenon of Modernism within a broader cultural context (the influence of Haiku, parallels and connections with Surrealism, responses to the Modernist accomplishment by later American poets). Because of its mixture of European and American perspectives, Modernism Revisited will be of vital interest to students and scholars of American literature and Modernism in general and of twentieth-century comparative literature and art.

      Table of Contents
      Acknowledgements Paul Scott DERRICK: Introduction I. Reflections on Modernity: The Aura of Modernism Marjorie PERLOFF: The Aura of Modernism II. Transgressing Boundaries: Some Modernists Revisited Barry AHEARN: Frost’s Sonnets, In and Out of Bounds Hélène AJI: Pound and Williams: The Letters as Modernist Manifesto Zhaoming QIAN: Pao-hsien Fang and the Naxi Rites in Ezra Pound’s Cantos Viorica PATEA: T. S. Eliot’s The Waste Land and the Poetics of the Mythical Method Isabelle ALFANDARY: Poetry as Ungrammar in E. E. Cummings’ Poems Bart EECKHOUT: Wallace Stevens’ Poetry of Resistance III. Strategies of Renewal: Modernism in a Broader Context Gudrun M. GRABHER: In Search of Words for “Moon-Viewing”: The Japanese Haiku and the Skepticism towards Language in Modernist American Poetry Ernesto SUÁREZ-TOSTE: Spontaneous, not Automatic: William Carlos Williams versus Surrealist Poetics Manuel BRITO: Instances of the Journey Motif through Language and Selfhood in some Modernist American Poets Heinz ICKSTADT: For Love and Language: The Poetry of Robert Creeley Charles ALTIERI: Modernist Realism and Lowell’s Confessional Style Notes on Contributors Index

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