Description

Book Synopsis
This book is a glorious celebration of Rhoda Pritzker's collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, whowas born in Manchester in1914 and emigrated to the UnitedStates during the Blitz,was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth,Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker's method of collecting so singularnamely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured. Distributed for the Yale Center for British ArtExhibition Schedule:Yale Center for British Art, New Haven (05/11/2016-08/21/2016)

Trade Review
“Her collection as a whole makes the good point that the story of art can be compelling in its byways as well as its highways.”—Patrick McCaughey, Times Literary Supplement -- Patrick McCaughey * Times Literary Supplement *

Modernism and Memory

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    A Hardback by Ian Collins, Eleanor Hughes, Ian Collins

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      Publisher: Yale University Press
      Publication Date: 03/05/2016
      ISBN13: 9780300214871, 978-0300214871
      ISBN10: 0300214871

      Description

      Book Synopsis
      This book is a glorious celebration of Rhoda Pritzker's collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, whowas born in Manchester in1914 and emigrated to the UnitedStates during the Blitz,was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth,Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker's method of collecting so singularnamely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured. Distributed for the Yale Center for British ArtExhibition Schedule:Yale Center for British Art, New Haven (05/11/2016-08/21/2016)

      Trade Review
      “Her collection as a whole makes the good point that the story of art can be compelling in its byways as well as its highways.”—Patrick McCaughey, Times Literary Supplement -- Patrick McCaughey * Times Literary Supplement *

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