Description
Book SynopsisAnglo-American modernist writing and modern mass democratic states emerged at the same time, during the period of 1900-1930. Yet writers such as T. S. Eliot, W. B. Yeats, Ezra Pound, Wyndham Lewis, and Ford Madox Ford were notoriously hostile to modern democracies. They often defended, in contrast, anti-democratic forms of cultural authority. Since the late 1970s, however, our understanding of modernist culture has altered as previously marginalised writers, in particular women such as Gertrude Stein, Djuna Barnes, H.D., and Mina Loy, have been reassessed. Not only has the picture of Anglo-American modernist culture changed significantly, but the understanding of the relationship between modernist writing and politics has also shifted.Rachel Potter here reassess the relationship between modernism and democracy by analysing the wide range of different reactions by modernist writers to the new democracies. She charts the changes in the ideas of democracy as a result of the shift from lib
Trade ReviewPotter's skilful illumination of details is arresting and thought-provoking...Potter's foray into this fascinating topic issues a welcome provocation. * Jason Harding, Modernism/Modernity *
Table of ContentsIntroduction ; 1. 'No artist can ever love democracy': Modernism and Democracy 1907-1914 ; 2. Modernist Literature: Individualism and Authority ; 3. H.D.: Egoist Modernist ; 4. T.S. Eliot, Women, and Democracy ; 5. Mina Loy: Psycho-Democracy ; Conclusion
