Description

Book Synopsis
Offers approachable, clear and original accounts of French thinkers who specialise in visual theory, with connections explained and explicated between chapters; looks at those thinkers who have been neglected in the Anglo-American world thereby expanding and diversifying the perception that readers have -- .

Trade Review

All in all, the volume overall is a magnificent achievement of conceptual organization, careful and coordinated management of a large team of expert contributors, and high editorial standards in general. A work highly-recommended for all specialist readers interested in French thought on the visual.
, Hugh Dauncey, Newcastle University, Contemporary French Civilization, 11 May 2015

-- .

Table of Contents

Introduction – Nigel Saint and Andy Stafford
Part 1. Precursors: Phenomenology and Semiotics
1. ‘Merleau-Ponty: The Madness of Vision’ (Nathalie Aubert)
2. ‘Christian Metz: Constructing Meaning in Film’ (Martine Joly)
Part 2. New Art Histories and Genealogies
3. ‘Daniel Arasse’s Joyful Visual Science: In the Intimacy of History and Art’ (Ralph Dekoninck)
4. ‘Dream Perspectives: Hubert Damisch, Psychoanalysis, and Early Modern Art History’ (David Packwood)
5. ‘Christine Buci-Glucksmann: the Archaeology of Shadows or the Aesthetics of Image-Flux’ (François-Xavier Gleyzon)
Part 3. Representation, Mediology and Sociology
6. ‘Louis Marin’s Theories of Representation: between Text and Image, from Visuality to Figurability’ (Agnès Guiderdoni)
7. ‘Transmission versus Communication: Régis Debray’s Mediology’ (Andy Stafford)
8. ‘Value, Meaning, Method: Nathalie Heinich’s Sociological Perspectives on Visual Culture’ (Shirley Jordan)
Part 4. Memory, Body, Image
9. ‘Seeing and Touching: Jean-Luc Nancy and the Ground of the Image’ (Ian James)
10. ‘Georges Didi-Huberman: Images, Critique and Time’
(Nigel Saint)
11. ‘Jean-Louis Schefer: The Body of the Image’ (Patrick ffrench)
Part 5. The Digital Era
12. ‘Jean Baudrillard’ (Paul Hegarty)
13. ‘Real Time: Bernard Stiegler and the Politics of Digitalization (Arthur Bradley)
Part 6. Afterword
14. Interview with Bernard Vouilloux (Saint and Stafford)
Index

Modern French Visual Theory

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    A Paperback / softback by Nigel Saint, Andy Stafford

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      Publisher: Manchester University Press
      Publication Date: Publication Date: 31/01/2013
      ISBN13: 9780719081309, 978-0719081309
      ISBN10: 719081300

      Description

      Book Synopsis
      Offers approachable, clear and original accounts of French thinkers who specialise in visual theory, with connections explained and explicated between chapters; looks at those thinkers who have been neglected in the Anglo-American world thereby expanding and diversifying the perception that readers have -- .

      Trade Review

      All in all, the volume overall is a magnificent achievement of conceptual organization, careful and coordinated management of a large team of expert contributors, and high editorial standards in general. A work highly-recommended for all specialist readers interested in French thought on the visual.
      , Hugh Dauncey, Newcastle University, Contemporary French Civilization, 11 May 2015

      -- .

      Table of Contents

      Introduction – Nigel Saint and Andy Stafford
      Part 1. Precursors: Phenomenology and Semiotics
      1. ‘Merleau-Ponty: The Madness of Vision’ (Nathalie Aubert)
      2. ‘Christian Metz: Constructing Meaning in Film’ (Martine Joly)
      Part 2. New Art Histories and Genealogies
      3. ‘Daniel Arasse’s Joyful Visual Science: In the Intimacy of History and Art’ (Ralph Dekoninck)
      4. ‘Dream Perspectives: Hubert Damisch, Psychoanalysis, and Early Modern Art History’ (David Packwood)
      5. ‘Christine Buci-Glucksmann: the Archaeology of Shadows or the Aesthetics of Image-Flux’ (François-Xavier Gleyzon)
      Part 3. Representation, Mediology and Sociology
      6. ‘Louis Marin’s Theories of Representation: between Text and Image, from Visuality to Figurability’ (Agnès Guiderdoni)
      7. ‘Transmission versus Communication: Régis Debray’s Mediology’ (Andy Stafford)
      8. ‘Value, Meaning, Method: Nathalie Heinich’s Sociological Perspectives on Visual Culture’ (Shirley Jordan)
      Part 4. Memory, Body, Image
      9. ‘Seeing and Touching: Jean-Luc Nancy and the Ground of the Image’ (Ian James)
      10. ‘Georges Didi-Huberman: Images, Critique and Time’
      (Nigel Saint)
      11. ‘Jean-Louis Schefer: The Body of the Image’ (Patrick ffrench)
      Part 5. The Digital Era
      12. ‘Jean Baudrillard’ (Paul Hegarty)
      13. ‘Real Time: Bernard Stiegler and the Politics of Digitalization (Arthur Bradley)
      Part 6. Afterword
      14. Interview with Bernard Vouilloux (Saint and Stafford)
      Index

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