Description

Supported by an exhibition at Les Rencontres d'Arles in 2024, to be followed by an international tour, this is the first retrospective of one of China's most important photographic artists. Mo Yi is a photographic artist with a career spanning nearly forty years, from the 1980s to today. This retrospective contextualizes his work within the evolution of contemporary art following reform and opening in China in the aftermath of the Cultural Revolution. Working in a documentary tradition, but building on and reinterpreting the meaning of documentary, Mo Yi's practice is exemplified by experimentation. Regularly creating work in distinct series, he has continually tested ways of extending the boundaries of the medium and his own personal expression. This publication, supported by his first exhibition outside of China, surveys Mo Yi's experimentation in photographic production and performance over the course of his career. Organized into five chronological chapters that mark the mi

Mo Yi

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Hardback by Holly Roussell

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Supported by an exhibition at Les Rencontres d'Arles in 2024, to be followed by an international tour, this is the... Read more

    Publisher: Thames & Hudson Ltd
    Publication Date: 6/27/2024
    ISBN13: 9780500027394, 978-0500027394
    ISBN10: 0500027390

    Non Fiction , Art & Photography

    Description

    Supported by an exhibition at Les Rencontres d'Arles in 2024, to be followed by an international tour, this is the first retrospective of one of China's most important photographic artists. Mo Yi is a photographic artist with a career spanning nearly forty years, from the 1980s to today. This retrospective contextualizes his work within the evolution of contemporary art following reform and opening in China in the aftermath of the Cultural Revolution. Working in a documentary tradition, but building on and reinterpreting the meaning of documentary, Mo Yi's practice is exemplified by experimentation. Regularly creating work in distinct series, he has continually tested ways of extending the boundaries of the medium and his own personal expression. This publication, supported by his first exhibition outside of China, surveys Mo Yi's experimentation in photographic production and performance over the course of his career. Organized into five chronological chapters that mark the mi

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