Description
Book SynopsisThis interdisciplinary investigation argues that since the 1990s, discourses about mixed-race heritage in the United States have taken the shape of a veritable literary genre, here termed “memoir of the search.”
The study uses four different texts to explore this non-fictional genre, including Edward Ball's Slaves in the Family and Shirlee Taylor Haizlip's The Sweeter the Juice. All feature a protagonist using methods from archival investigation to DNA-testing to explore an intergenerational family secret; photographs and family trees; and the trip to the American South, which is identified as the site of the secret’s origin and of the family’s past. As a genre, these texts negotiate the memory of slavery and segregation in the present.
In taking up central narratives of Americanness, such as the American Dream and the Immigrant story, as well as discourses generating the American family, the texts help inscribe themselves and the mixed-race heritage they address into the American mainstream.
In its outlook, this book highlights the importance of the memoirs’ negotiations of the past when finding ways to remember after the last witnesses have passed away. and contributes to the discussion over political justice and reparations for slavery.
Trade ReviewJulia Sattler’s thoughtful and well-researched analysis shows how a prominent and under-studied genre configured Black, white, and multi-racial identities—as well as the relationships among them—in very recent history. This timely study will prove immensely helpful to readers interested in race and writing in the contemporary United States.
-- Leigh Anne Duck, University of Mississippi
Table of ContentsIntroduction: Memoir of the Search: The Emergence of a Mixed-Race Literary Genre
Chapter 1: Writing Mixed Selves at the Turn of the Millennium
Chapter 2: Family Secrets: Uncovering Mixed Race Heritage
Chapter 3: Media of Memory: Generating the Family
Chapter 4: Narrating the Mixed-Race Nation
Chapter 5: The Past in the Present: Encounters with the South
Conclusion: Making History at the Turn of the Millennium
