Description
Book SynopsisIn
Minor China Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, an
Trade Review“How do China and Chinese artists become legible in contemporary global circuits? In this informative study, Hentyle Yapp handles this question and its vast ideological ramifications by gauging late-capitalist art market aesthetics, academic discursive politics, and transnational multimedia dynamics. Most commendably, he asks us not to lose sight of the preemptive liberalist biases advanced by many Western accounts of non-Western cultures." -- Rey Chow, author of * Entanglements, or Transmedial Thinking about Capture *
“Hentyle Yapp's deconstruction of the dialectic of authoritarian regulation and artistic resistance in Chinese art is certain to attract critical attention from scholars in numerous fields.
Minor China is an outstanding book that sets a new standard for analyzing non-Western art and politics otherwise.” -- David L. Eng, Richard L. Fisher Professor of English, University of Pennsylvania
"In
Minor China, Hentyle Yapp establishes a novel framework for analyzing contemporary Chinese art with a focus on its place in the global art market since 1989." -- Stephanie Kays * ARLIS/NA *
"The book presents a provocative and theoretically informed study that opens meaningful conversations about a relational experience between the minor and the major. It makes a fresh and significant contribution to the fields of contemporary performance and visual culture, global Chinese studies, Asian American studies, and critical theory at large." -- Ying Xiao * Journal of Asian Studies *
"[
Minor China] present[s] insightful theoretical and historical perspectives that engage critically with Marxist thought and post-structuralist discourse, as well as gender and queer studies, with contemporary art from greater China and its diasporas. . . and provide[s] readers and scholars of art history, critical theory, institutional critique, gender and queer studies, visual as well as Asian studies, with timely food for thought. . . ." -- Franziska Koch * Art History *
"The reach of
Minor China goes beyond China and Sinophone studies. The book’s deployment of Asian American and transnational critiques makes it a relevant title for many in the field of Asian American studies, especially those interested in the discussions of aesthetics. . . ." -- Kai Hang Cheang * Journal of Asian American Studies *
Table of ContentsList of Illustrations vii
Acknowledgments ix
Introduction 1
1. We're Going to Party Like It's 1989: Proper China, Interdisciplinarity, and the Global Art Market 37
2. All Look Same: Ai Weiwei's Multitudes, Comrade Aesthetics, and Racial Anger in a Time of Inclusion 70
3. Minoring the Universal: Affect and the Molecular in Yan Xing's Performances and Liu Ding, Carol Lu, and Su Wei's Curation as Art Practice 103
4. Minor Agencies: Reformulating Demystification and Performativity through the Works of Zhang Huan, He Chengyao and Cao Fei 141
5.
Tout-Monde and the Minor: The Cinematic and Theatrical Chinese Woman in Isaac Julien's
Ten Thousand Waves 176
Afterword. For Those Minor in and to China: Protests in Hong Kong and Samson Young in Venice 208
Notes 223
Bibliography 245
Index 261
