Description
Book SynopsisIn 2008 an Iraqi artist was waterboarded as performance art. In 2010 artists upturned police cars in Russia. But what exactly do we mean by militant art and aesthetics? Bringing together the philosophy of art and politics, Martin Lang provides a comprehensive examination of militant art activism: its history, its advocates and the aesthetic theory behind it.
Protest art is not a new concept and yet this book argues that after the terrorist attacks of 9/11 distinctly 21st-century forms of art activism emerged. On the one hand these became militant as artists retained belief in the possibility of radical political change through art. On the other hand, this belief developed in a hostile environment, when anti-terror legislations reclassified activists and artists as terrorists.
Through first-hand interviews and experiences, Militant Aesthetics sheds light on numerous international case studies of modern art activism and the differen
Table of Contents
Acknowledgements Preface Introduction 1. Art Activism after 9/11 2. Refuse/Resist: Militancy, Ethics and Aesthetics 3. Militancy and the Avant-garde 4. Tactical Confrontations: Art Activism after the Global Banking Crisis 5. The Absurd and the Dysfunctional 6. Demonstration Bibliography Index
