Description
Book SynopsisIntended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Sinéad Rushe's book provides a complete overview of the whole method, and includes illuminating explanations of its principles, as well as a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts.
Part One provides an outline of the ideas that underpin the work, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination.
Part Two charts a journey through the foundational psychophysical exercises that can both orient an actor''s training routine and be applied directly to the development of a role.
Part Three focuses on more specific and elaborate methods of scene work, characterisation and the art of transformation. Drawing on the full range of Chekhov''s writing in English and French,
Trade ReviewA long-time practitioner of Chekhov's acting technique, Rushe (Central School of Speech and Drama, UK) has delivered a valuable, comprehensive look at many of the acting tools Chekhov pioneered at the turn of the 20th century … Particularly noteworthy is Rushe’s creation of a careful pathway through all the material. Each exercise builds on its predecessor in a way that shows the author’s attention to detail and mastery of the subject matter … Though aimed at modern practitioners of acting, academics should not shy away from this guide, given its thorough research and its historical relevance. This volume will be a useful resource for those studying acting theory, theater history, or the pedagogy of acting. * CHOICE *
An extremely well researched exploration of how Chekhov’s approach to acting can be best utilized … Rushe’s very clear explanations of each tool, its use, and its relationship to other tools is very illuminating and practical. * Theatre, Dance and Performance Training *
Table of ContentsPreface Acknowledgments List of Abbreviations Introduction: Guiding Principles A Note on the Context of Chekhov's work Part One: Preparation The ideal centre The four brothers: feeling of ease Receiving The four brothers: feeling of form The four brothers: feeling of beauty The four brothers: feeling of entirety Radiating Expansion and contraction Part Two: Practice Qualities of movement: moulding, floating, flying, radiating Further qualities of movement: staccato/legato, curved/straight Directions in space Archetypal gesture The three sisters: rising, falling, balancing Image and imagination Improvisation Transition: Transformation Part Three: Performance Imaginary body Imaginary centre Stick/ball/veil Archetypes Psychological gesture Subjective atmosphere Objective atmosphere Extras: ghost exercise, character biography Conclusion: Theatre of the Future Chronology of Michael Chekhov's Career
