Description

Book Synopsis
"Michaël Borremans may be the greatest living figurative painter." —John Vincler, The New York Times

"'The Acrobat' provides an opportunity — all too rare on this side of the Atlantic — to see the genius of Borremans in the flesh...It’s painterly magic. A major New York museum retrospective is long overdue." —John Vincler, The New York Times

Recalling classical painting, both through technical mastery and choice in subject matter, Borremans’s depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans’s unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas.

Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works’ emotional power and their unique place in the lineage of art history.

Michaël Borremans: The Acrobat

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    Order before 4pm tomorrow for delivery by Thu 18 Jun 2026.

    A Paperback / softback by Michael Borremans, Katya Tylevich

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      View other formats and editions of Michaël Borremans: The Acrobat by Michael Borremans

      Publisher: David Zwirner
      Publication Date: 07/07/2022
      ISBN13: 9781644230831, 978-1644230831
      ISBN10: 1644230836

      Description

      Book Synopsis
      "Michaël Borremans may be the greatest living figurative painter." —John Vincler, The New York Times

      "'The Acrobat' provides an opportunity — all too rare on this side of the Atlantic — to see the genius of Borremans in the flesh...It’s painterly magic. A major New York museum retrospective is long overdue." —John Vincler, The New York Times

      Recalling classical painting, both through technical mastery and choice in subject matter, Borremans’s depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans’s unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas.

      Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works’ emotional power and their unique place in the lineage of art history.

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