Description

Book Synopsis
This book discusses contemporary British poetry in the context of metamodernism. The author argues that the concept of metamodernist poetry helps to recalibrate the opposition between mainstream and innovative poetry, and he investigates whether a new generation of British poets can be accurately defined as metamodernist. Antony Rowland analyses the ways in which contemporary British poets such as Geoffrey Hill, J. H. Prynne, Geraldine Monk and Sandeep Parmarhaveresponded to the work of modernist writers as diverse as T. S. Eliot, H. D. and Antonin Artaud, and what Theodor Adorno describes as the overall enigma of modern art.

Table of Contents
Introduction; 1. Contemporary British Poetry and Enigmaticalness; 2. Continuing 'Poetry Wars' in Twenty-First-Century British Poetry; 3. Committed and Autonomous Art; 4. Iconoclasm and Enigmatical Commitment; 5. The Double Consciousness of Modernism; Conclusion.

Metamodernism and Contemporary British Poetry

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A Hardback by Antony Rowland

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    View other formats and editions of Metamodernism and Contemporary British Poetry by Antony Rowland

    Publisher: Cambridge University Press
    Publication Date: 10/7/2021 12:00:00 AM
    ISBN13: 9781108841979, 978-1108841979
    ISBN10: 110884197X

    Description

    Book Synopsis
    This book discusses contemporary British poetry in the context of metamodernism. The author argues that the concept of metamodernist poetry helps to recalibrate the opposition between mainstream and innovative poetry, and he investigates whether a new generation of British poets can be accurately defined as metamodernist. Antony Rowland analyses the ways in which contemporary British poets such as Geoffrey Hill, J. H. Prynne, Geraldine Monk and Sandeep Parmarhaveresponded to the work of modernist writers as diverse as T. S. Eliot, H. D. and Antonin Artaud, and what Theodor Adorno describes as the overall enigma of modern art.

    Table of Contents
    Introduction; 1. Contemporary British Poetry and Enigmaticalness; 2. Continuing 'Poetry Wars' in Twenty-First-Century British Poetry; 3. Committed and Autonomous Art; 4. Iconoclasm and Enigmatical Commitment; 5. The Double Consciousness of Modernism; Conclusion.

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